Entertainment

The third EP offers a soft yet striking reminder that while moments fade, the feelings they leave behind stays forever

With their third EP, gusto ko lang maalala, Filipino indie pop band the vowels they orbit (tvto) returns with a gentle yet profound reflection on love, loss, nostalgia, and the act of remembering.

Following their sophomore release, gusto ko lang maalala continues their journey, this time inviting listeners into a more introspective space. The EP captures the bittersweet nature of memory, recognizing that as time moves forward, the people and moments we once held dear inevitably transform, even if only slightly.

Selfir with the vowels they orbit

I greatly enjoyed hearing their thoughts and witnessing the event that explored how they see longing from a different perspective. From gusto ko lang maalala, I realized that it beautifully captures how memories can be both comforting and painful. the vowels they orbit remind us that while time changes the things and people we love, remembering them—no matter how fragmented—keeps their meaning alive within us.

Led by the haunting single “miss na kita,” the EP encapsulates the quiet pain of longing, be it for a person, a place, or even a former version of oneself. As lead vocalist Nikka Melchor explains it, “I wrote ‘miss na kita’ one morning because I wanted to express that sudden feeling of missing your younger self. But it’s not limited to that narrative. The meaning differs per person, from loss of self to loss of a loved one.”

Guitarist Gene Santiago adds, “It’s about longing: for someone, something, a moment in time, or a dream. It’s like wanting to stop time just to breathe for a while or turn it back to experience those things again.”

True to its theme, gusto ko lang maalala carries a sound that is both ethereal and emotionally grounded. The musical arrangements perfectly mirror the intimacy of the narrative, resulting in an experience that feels like flipping through the pages of a photo album.

“When we started coming up with our individual parts, one of the things I asked my bandmates to do was to really listen to the emotions of the lyrics,” Nikka shares. “That was one of our conscious efforts for this EP. Even small details like the basslines in ‘miss na kita’ dancing along to the sadness on the second verse, or the guitar work in ‘para bago’ sounding like a flashback, these things are vital and part of the emotional cues.”

The EP was produced by Soupstar Music’s Darwin Hernandez, with arrangements from Filipino rock icons Raymund Marasigan and Buddy Zabala of Eraserheads, and additional production support from Eunice Jorge of Gracenote. Recording took place at Velvet Playground Studio in Marikina, marking tvto’s first time in the space.

“Working with Raymund and Buddy was surreal,” the band recalls. “We were nervous at first, but they made the process chill and collaborative. It was amazing how even small changes transformed the song completely. We learned so much in just one session.”

The new EP features three original tracks and one special rendition of a classic hit, each one tracing a different shade of longing. From the introspective songwriting of “miss na kita” to the upbeat yet wistful energy of “basta” and “para bago,” every track carries its own sonic blueprint.

Metro Manila is home to the five-piece independent pop-rock group the vowels they orbit. Their music embodies the everyday poetry of contemporary Filipino youth, and they are well-known for their poignant lyricism and melodic pop sensibility. Nikka Melchor on vocals and guitars, Hannah Dela Cruz on keyboards and vocals, Gene Santiago on guitars, and Patch Javier on bass make up the Filipino band.

the vowels they orbit’s gusto ko lang maalala is currently available on all digital music platforms across the globe through Sony Music Entertainment.

Learn more about our creators and labels here.

Forged in friendship and fueled by freedom, the album reflects their evolution from breakout stars to generational rock icons

With the release of their sophomore album, Andalucia, on November 5, 2025, on all digital music platforms worldwide through Sony Music Entertainment, Filipino pop-rock juggernaut IV OF SPADES makes their much anticipated homecoming.

Their last full-length album, CLAPCLAPCLAP, was released seven years ago after a six-year break! (2019), the legendary band comes back together with a record that embodies friendship, artistic development, and newfound unity. By revealing the tenderness that exists in codes and expressing situations and events in cryptic yet poetic exquisiteness, Andalucia solidifies their status as one of the defining acts of contemporary OPM without ever feeling the need to clarify or expound.

Following a surprise reunion last July through the double release of “Aura” and “Nanaman,” IV OF SPADES presents Andalucia as the full realization of their creative rebirth. “We needed to prioritize ourselves and our relationship first before working on a new project while we weren’t okay,” the multi-awarded band shares in a press statement. “It would’ve felt meaningless if we hadn’t fixed our bond before returning to making music.”

Co-produced by the Aura act with Brian Lotho and Emil Dela Rosa, Andalucia features twelve tracks that traverse genres and emotions while maintaining the band’s penchant for introspective songwriting and subtle sonic experiments. Leading the record is the explosive focus track “Monster,” a vibrant yet gritty rock anthem that fuses retro influences with modern edge. Other highlights include “Aura,” the first song the band wrote together after reuniting; “Nanaman,” featuring Blaster Silonga on vocals; “Suliranin,” an escapist anthem that invites listeners to leave their worries behind and eventually lose themselves; and “Konsensya,” a crossover tune with ‘90s alt, indie, and Britpop influences.

The chart-topping band explains, “Thematically speaking, we talk about things in life: flaws, people, and topics that often aren’t discussed openly. It’s more fun now because we have more songs. The direction is clearer, and the process is more collaborative.”

In making Andalucia, IV OF SPADES approached production with spectacle grounded in authenticity. “We wanted a sound that we could play live,” they share. “The production is ambitious, so we started by jamming the songs before recording them.”

After years apart, the band found their chemistry intact, perhaps stronger than ever. Their creative process was guided not by ego, but by intuition and respect.

Behind the music, moments of simplicity reminded them why they started making music together in the first place. “What truly matters are the small things. Eating together. Whoever’s late buys the coffee. Sometimes we’d turn off the aircon, so we’d all be sweating while recording.”

The band’s sold-out performance at the Mall of Asia Arena on December 12, 2025, corresponds with the release of Andalucia; owing to excessive demand, December 13 was just added. These performances, which will be presented by Karpos Multimedia, will celebrate IV OF SPADES’ path and future by showcasing both reinvented classics and new material for the first time

ANDALUCIA track list:

1. Tara
2. Monster
3. Paru-paro
4. Nanaman
5. Konsensiya
6. Tamis ng Pagkakamali
7. Aura
8. Karma
9. Tangerine Boulevard
10. Kabisado
11. Rewind
12. Suliranin

Andalucia, the new album by IV OF SPADES, is currently available on all digital music platforms across the globe through Sony Music Entertainment.

The two beloved artists turn quiet moments into symbols of joy and connection in a heartfelt visual narrative

If we take the time to observe them, even the most basic events in life can have the greatest significance.

The current single, “Rainbow,” which features Indonesian pop icon Raisa and Asia’s Romantic Balladeer Christian Bautista, is centered around this understanding. The music video, which was just released, tenderly depicts hope, connection, and the beauty of the commonplace.

The visual story takes place at a picturesque café in Jakarta, where both artists are enjoying a peaceful escape from the busy craziness of contemporary city life.

“The video is about how the simplest, most ordinary moments in our day can actually become the ‘rainbows’ we need — small sparks of hope that make a big difference,” shares Christian Bautista. “The music video was directed by Jonathan Tal Placido of Toothless Productions. He and his team flew to Jakarta to make this vision come alive, and they captured that message beautifully.”

Delicately crafted, the music video mirrors the song’s lyrical warmth with cinematic grace. Every frame invites viewers to rediscover fulfillment hidden within everyday experiences: coffee shared between friends, laughter exchanged across a table, and the peace found in simply being present.

Beyond its narrative, “Rainbow” also celebrates harmony between cultures. The collaboration between Christian Bautista and Raisa bridges Filipino and Indonesian artistry, and the choice to film in Jakarta infuses the visuals with an authentic sense of place and emotional truth.

“The city added warmth, texture, and authenticity to the visuals and helped us reflect the connection the song celebrates,” he explains.

“It was so exciting,” Bautista adds of working with Raisa once more. “Our biggest challenge was really scheduling — but once it finally happened, we were both thrilled to bring this project to life. Seeing it all come together after months of planning was such a rewarding moment.”

The music video for “Rainbow” honors common beauty and the unspoken ties that bind people together across national boundaries. Christian Bautista and Raisa’s collaboration serves as a reminder to listeners that happiness frequently comes from the little things in life rather than the big or spectacular.

Christian Bautista and Raisa’s song “Rainbow” is currently accessible on all major streaming services across the globe thanks to Sony Music Entertainment. Click here to view Christian Bautista’s song video.

SB19 leads the label’s stellar night with six honors, including the coveted Artist of the Year

The musicians from Sony Music Philippines won nine major titles between them, making them the most-awarded acts at the inaugural Filipino Music Awards (FMA).

Leading the way was the worldwide pop sensation SB19, who won six accolades in all, including Concert of the Year, Tour of the Year, and the highly sought-after Artist of the Year. With the help of their chart-topping single “DUNGKA,” the well-known Filipino boyband also won two People’s Choice Awards for Artist and Song and another for Pop Song of the Year.on their most recent EP, Simula At Wakas.

Another standout from the Sony Music roster, IV of Spades, made a triumphant return to the spotlight, earning Rock Song of the Year for their hit single “Aura.” A few months ago, the track debuted at No. 4 on the Spotify Philippines Top 50 chart, marking a celebrated comeback for the band. Their upcoming headline concert at the SM Mall of Asia Arena, produced by Karpos, sold out two months in advance, a further proof of their enduring fanbase and musical legacy.

Rising Bicol-born singer-songwriter dwta also brought home honors for “Folk Song of the Year” with “Sampung Mga Daliri,” her collaborative track with SB19’s justin. The win underscores dwta’s growing prominence in the local music scene, following her recent contributions to the official soundtrack of Fatrick Tabada’s Flower Girl and co-writing credits on BINI’s viral hit “First Luv.”

The record label also bagged the prestigious Music Company of the Year, reaffirming its position as the country’s leading powerhouse in music.

“We’re deeply honored and proud of our artists whose stellar work has been recognized in a prestigious award-giving body like Filipino Music Awards,” says Kevin Foo, Managing Director – Southeast Asia, Sony Music Entertainment. “These wins are a testament to the extraordinary talent, creativity, and hard work of our artists, and to the collective passion of the Sony Music Entertainment team. Through this recognition, we remain committed in empowering Filipino musicians and showcasing the diversity and global potential of OPM as a music movement.”

“This achievement reflects the hard work and passion of our artists, their teams, and everyone at Sony Music who believes in the power of Filipino music,” shares Roslyn Pineda, General Manager, Philippines, Sony Music Entertainment. “The success of SB19, IV of Spades, dwta, justin, and all our talented artists highlights the vibrant creativity and immense potential of our local music scene. We are excited to continue supporting and promoting these remarkable talents as they captivate audiences both locally and globally.”

Beyond the recognition, several Filipino artists lit up the FMA stage with impactful performances featuring songs from the Sony Music Entertainment catalog. IV of Spades delivered “Aura,” Ely Buendia performed “Kandarapa,” and Gloc-9 captivated the audience with “Upuan.”

The evening reached its peak with monumental finale featuring SB19 and Ben&Ben. SB19 energized the stage with “DAM,” followed by Ben&Ben’s moving performance of “Kapangyarihan.” The moment was made even more special as it marked the first-ever public performance of “Kapangyarihan” featuring both Ben&Ben and SB19 together, closing the night on a high and emotional note.

On October 21, 2025, at 6 p.m., the Filipino Music Awards (FMA), a historic celebration of Original Pilipino Music (OPM), were held. at the Asia Arena’s SM Mall. More than 500 musicians, business executives, and industry professionals joined thousands of music lovers for the first-ever event, which honored Filipino music’s inventiveness, diversity, and promise on a global scale.

This weekend, watch the official Filipino Music Awards telecast on TV5 and stream live on their Facebook page:

Part 1: October 25, 2025 / 9:45 PM

Part 2: October 26, 2025 / 9:30 PM

Actor-musician embarks on a new creative chapter as he leads Dear Dina in their first release, “Nabighani” – an ode to young love and hesitation

L-R: Louise Bayas, John Abat, Jun Arbiso, Jake Vargas, Victor Guison, Jessie Talaboc
Photo by JC Javier and Spective Studios

Jake Vargas, an actor and musician, will embark on a new journey as Dear Dina’s frontman. The six-piece group’s official debut will be  “Nabighani.” This single presents Dear Dina’s distinct fusion of emotion, sincerity, and easygoing appeal, giving OPM a new, youthful, and heartfelt feel. “Nabighani” is a tale of connection, shyness, and love.

“Nabighani,” which is based on Jake’s real-life romance with actress Inah de Belen, depicts the moment when you meet someone who captivates you right away but nerves and hesitancy prevent you from telling them how you really feel.

“The word ‘Nabighani’ has this beautiful Filipino charm,” the band shares. “It describes that unexplainable feeling of being drawn to someone. It’s tender, emotional, and authentic — just like the story behind the song.”

Sonically, “Nabighani” mirrors the soft, dreamy energy of being torpe – shy, in love, and hopeful. Its lyrics are simple yet sincere, like a conversation with your crush filled with quiet excitement and butterflies.

The song’s creation began with casual brainstorming sessions over coffee, where the band decided to write something that would be both relatable and true to their experiences. “Tinananong namin si Jake kung ano’ng naramdaman niya nung una niyang nakilala si Inah” the band shared. “Doon nagsimula ang song –  ‘yung kilig, kaba, at ‘yung feeling na gusto mong magsalita pero pinipigilan mo.”

The writing process was deeply collaborative, with each member contributing their strengths. When the band first jammed “Nabighani,” new member Louise Bayas suggested the now-iconic “sasabihin ko sa’yo” melody for the chorus, which immediately stuck. She also added a groovy bass line that locked in with the drums, filling the track with warmth and rhythm.

They describe the process as DIY – from recording drums at Victor Guison’s space (Unknown13 Pub) to using Louise’s personal recording gear.

To refine their sound, the band sought the expertise of producer Xergio Ramos, who helped shape the song’s final arrangement and direction. “Since it’s our first single, we wanted it to be perfect but not complicated,” the band shares. “Xergio really guided us in finding the right balance and bringing ‘Nabighani’ to life.”

For Dear Dina, “Nabighani” represents more than just their debut — it’s a statement of identity. “This song shows kung saan nanggagaling ang banda – mga kwento ng love, longing, at youth. Sincere and emotional siya, pero lighthearted and fun din,” they say.

Each member brings different musical influences –  from pop to rock to indie, but together they form a sound that’s uniquely Dear Dina: honest, cohesive, and deeply Filipino.

As Dear Dina prepares for their debut release, the band feels both excitement and gratitude for how far they’ve come. “It’s so fulfilling to see a song we built from scratch finally come to life,” they share. “This reminds us why we started making music – to tell stories, make people feel something, and enjoy the process together.”

Jake Vargas and Dear Dina’s song “Nabighani” allows listeners to rediscover the sweet, tense excitement of falling in love for the first time. This emotion is masterfully conveyed through authentic, relevant, and uniquely OPM music.

“Nabighani” by Dear Dina is currently available on all digital music platforms across the globe.

From world-class performances to songwriting collaborations, business matchmaking to industry dialogue, this year’s edition proved that the true rhythm of Southeast Asia lies in its spirit of community, innovation, and collaboration

AXEAN Festival 2025, which attracted around 4,000 attendees and solidified its position as one of the most significant music discovery platforms in the area, just wrapped up its most successful edition to date at Jimbaran Hub in Bali, Indonesia.

The sixth edition of AXEAN Festival 2025 offered a vibrant blend of community, conversation, and discovery, with reviews lauding its outstanding curation and innovative programming. In addition to honoring the best up-and-coming performers in the area, the festival promoted deep connections between musicians, business leaders, and international delegates, enhancing its standing as a conduit between Southeast Asia’s artistic vitality and the world music scene.

A Celebration of Discovery and Identity

Over 40 musicians performed on three stages at this year’s event, which culminated in the Club SEA Showcase, one of the weekend’s most memorable events. The showcase, which was devoted to the region’s meteoric surge in club and grassroots music, lit up the dance floor with amazing performances by Feel Koplo x Toxicdev! from Indonesia, DJ Love from the Philippines, Fauxe from Singapore, and S.O.L.E. from Thailand.

Fauxe’s set

With their unique tapestry of local textures, tropical rhythms, and theatrical flair, these artists embodied AXEAN’s ethos of celebrating regional identity in global contexts, leaving audiences in awe and critics calling it “a defining moment in Southeast Asia’s club culture.”

Beyond the stage: a Platform for Growth and Exchange

Now in its sixth year, AXEAN Festival has grown into far more than a music showcase. It has evolved into a comprehensive cultural and business platform, one that nurtures collaboration, facilitates cross-border partnerships, and accelerates the professional development of Southeast Asian artists.

Fauxe’s set

The festival’s conference programming impressed attendees with its forward-looking themes and engaging discourse. Over two days, panels and networking sessions explored vital industry topics, including:

1. Beyond the Upload: Strategies for Long-Term Growth for Southeast Asian Artists
2. Rethinking Music’s Footprint: Practical Pathways for Southeast Asia’s Music Scenes
3. From Funkot to Budots: The Booming Wave of Southeast Asia’s Grassroots Dance Music
4. Across the Pacific: Strengthening Music Ties Between New Zealand and Southeast Asia

The conference’s business matchmaking sessions and structured networking activities drew enthusiastic participation from regional and international delegates alike, creating new touring partnerships, booking opportunities, potential signings, and collaborative projects that will continue to resonate beyond festival grounds.

“The response was overwhelmingly positive,” said Mahanugru Kinzana, Head of Business & Commercial of Jimbaran Hub. “The structured networking sessions created genuine opportunities for dialogue between artists, managers, and delegates. AXEAN has become a rare space where serious industry conversations can happen within a creative, inspiring environment.”

Songwriting Camp: Building the Sound of Tomorrow

In line with its artist-first philosophy, AXEAN Festival 2025 extended its creative spirit beyond the main event through its Songwriting Camp, which brought together select artists and producers from across Asia to collaborate, co-create, and push the boundaries of regional sound.

“The songwriting camp was overflowing with talent—truly a gathering of geniuses from across Asia,” said Kinzana. “What stood out was how naturally diverse voices blended to create something fresh, yet deeply rooted in our region’s identity. For me, it reinforced a bigger realization: Southeast Asian music doesn’t just have talent, it has a distinct character that deserves a clear and strong positioning in the global music scene. The camp captured that spirit in the most inspiring way.”

AXEAN co-founder Piyapong Muenprasertdee shared the same sentiment, adding, “By the third day, something magical happened—all the artists came together to create one collective track, a true regional collaboration. More than writing songs, they build friendships and creative ecosystems that will carry forward long after the festival.”

Local Roots, Global Reach

This year also saw AXEAN deepening its ties with the local creative community through new partnerships with Jimbaran Hub and Bali-based organizations. A co-organized local music competition led to the discovery of standout talents Morbid Monke and Gozal, whose performances captivated international delegates and underscored the island’s growing relevance in the regional music map.

“Originally, we planned to feature just one winner, but the quality of the artists was so outstanding that we added a second slot,” shared Muenprasertdee. “These unexpected highlights reminded us of the importance of creating genuine opportunities for discovery and exchange.”

A Vision for the Future

Looking ahead, AXEAN Festival reaffirms its commitment to Bali as its home base, with ambitious plans to expand regionally through satellite events and stronger artist export pipelines. The next edition aims to enhance audience experience, sustainability, and global visibility, all while staying true to its core of inclusivity, collaboration, and discovery.

“We’re committed to growing the AXEAN Festival in Bali,” Kinzana asserts. “Bali offers a perfect balance: an international destination that combines serious industry engagement with world-class hospitality. Our next focus is to strengthen the story and experience of AXEAN so that more audiences connect deeply with what we stand for.”

Muenprasertdee added, “We hope to establish a permanent home for AXEAN here while also developing satellite events across the region to strengthen local ecosystems and create touring routes for our artists. Looking ahead, our strategy focuses on three key areas: (1) strengthening artist export pipelines by deepening ties with international delegates, (2) expanding fan engagement so AXEAN grows into both an industry platform and a beloved cultural festival, and (3) enhancing sustainability—financially, socially, and environmentally—so the festival can continue to thrive and evolve for years to come.”

South Korean indie rock band Silica Gel and Thai rapper AUTTA (featuring Taiwanese trio The Chairs) are both set to deliver distinct showcases

On Saturday, November 1, 2025, the Taipei Music Center will hold The Golden Indie Music Awards (GIMA), Taiwan’s leading independent music award-giving organization. The event will be livestreamed in Thailand and South Korea.

This year’s event highlights international guest artists, such as emerging Thai rapper AUTTA and South Korea’s top indie rock band Silica Gel, who will perform alongside Taiwan’s folk-pop group The Chairs in a rare cross-border partnership. With a focus on this year’s theme, “Brave,” the eagerly awaited collaboration will include four additional performers from throughout Asia whose music exemplifies a fearlessness in facing expectations and expressing uncompromising truth.

On the Asian front, GIMA will be honoring the “Best Asian Creative Artist Award,” whose nominees illustrate the breadth of Asia’s independent music scene, crossing languages and genres while sharing a commitment to authenticity.

From 60 submissions across Japan, South Korea, China, Hong Kong, the Philippines, Malaysia, Singapore, Indonesia, and Thailand, the shortlist features South Korean electro-punk duo Fat Hamster and KANG New, rising South Korean R&B and neo-soul artist Jacqui, Indonesian indie group Lomba Sihir, socio-politically charged rock band. Feast, and Tokyo-born, Melbourne-based violinist, producer, and vocalist ELLE SHIMADA.

Now in its 16th year, the GIMA drew a record 4,052 submissions from across Asia.

Nominee Best Asian Creative Artist Award Lomba Sihir scaled

Among the nominees, rapper and songwriter Hsien Ching (陳嫺靜) has emerged as one of the most talked-about figures, securing seven nominations for her twin albums, 《If we can be happy happy every day, who wants to be sad:))》and《If we can be happy happy every day, who wants to be sad:＊》. Her work, defined by a non-conventional approach to hip hop and a distinctly female perspective, has made her a unique voice in Taiwan’s independent music scene. Close behind is the band Lilium (百合花), which blends Taiwanese language, traditional instruments, and rock elements in their album,《Everything Will Go Wonderfully》, earning six nominations and demonstrating the vibrancy of Taiwan’s cultural roots within modern music. The nominations also include works by prominent and emerging artists such as Enno Cheng (鄭宜農), Modern Cinema Master (當代電影大師), YELLOW (黃宣), Dinosaur’s Skin (恐龍的皮), and Andr, whose creations have likewise drawn significant attention.

Please visit the 16th Golden Indie Music Awards’ GIMA’s official website or follow on Facebook, Instagram, and YouTube for additional information and a full list of nominees.

From street survival to self-made success, Cashman flips the term into an anthem for growth and grit earned through real hustle

Costa Cashman, a rising hip-hop powerhouse, makes a comeback with a new song that completely changes the perception of what it means to be a gangsta.

His latest song, “Gangsta,” which was created by dot.jaime and features Fern, honors perseverance, change, and achievement attained with hard work and development.

Costa Cashman’s distinctive Cheke sound, which blends gritty elements with cinematic ambition, is further developed on “Gangsta.” Building on the popularity of his last single, “HUSS,” the song represents a welcome change in Cashman’s narrative style, reflecting his past setbacks while celebrating his current triumphs.

Gangsta, redefined

“Para sakin kasi, hindi na ‘gangsta’ yung pagiging agresibo o pagiging mapusok,” Cashman shares. “Para sa akin, ang ‘gangsta’ na is yung nakakapag-provide ka, nagagawa mo yung gusto mo, nag-eenjoy ka at nagagawa mo yun ng sarili mo lang. Nagawa mo siya ng pinaghirapan mo. Ayun na yung ‘gangsta’ para sakin.”

Co-produced by dot.jaime, “Gangsta” delivers a hard-hitting yet expansive soundscape, anchored by a bass-heavy beat that mirrors Cashman’s confidence and creative clarity. Recording during a writing session in Bali with Fern, the track came together organically, combining effortless lyricism with raw, tender honesty.

“Natural lang siyang lumabas sa akin,” Cashman recalls. “Lumabas siya sa utak ko, tapos sinulat ko na siya. Sobrang saya ko kasi parang yun yung pinaka-legit na nasulat ko. I mean, legit naman lahat ng sinusulat ko, pero ayun ung mas dama ko at mas personal siya.

Lyrically, “Gangsta” serves as both reflection and declaration. Cashman contrasts the grind of his early days, recording music in cramped spaces and dodging daily hardships. Thinking about it, the acclaimed newcomer takes pride in the fulfillment of having built something real and meaningful from nothing.

From the streets to the spotlight, “Gangsta” serves as an anthem for those still in the grind, reminding them that success doesn’t erase struggle; it redefines it. From TV features to magazine covers, Costa Cashman stands as a symbol of authenticity and ambition, embodying what it means to glow up while staying grounded.

UND x Costa Cashman

Alongside the single release, Costa Cashman and UNDRAFTED (UND) will launch a limited-edition capsule collection that coincides with the celebration of UND’s anniversary. The capsule reflects the same essence of “Gangsta”: achievement derived from hard work, created with purpose and genuineness.

The UND x Costa Cashman capsule, which will be limited edition, will be released around the same time as the song. According to Justin Wieneke, CEO of Cheke, “this collaboration is not just a fashion statement but a manifestation of Cashman’s evolution, from the streets of Malate to the forefront of Philippine hip-hop culture.”

Listen to the new single HERE

(Photo Credit: Morgan Maher)

Madison Beer, a two-time Grammy nominee and platinum-selling singer, released her new track, “bittersweet,” through Epic Records today. It comes after her incredibly catchy dance song, “yes baby.”

“Bittersweet is about the end of a chapter and the difficulty of coming to terms with it, while also seeing that deep down you know it’s for the best—and finding peace in that along the journey,” Beer says of the song.

CLICK HERE TO LISTEN TO “BITTERSWEET”

Last month, Beer released her first new song of 2025 – “yes baby”. Released alongside a fierce music video, created and co-directed by Beer and director Aerin Moreno, and received praise from outlets including Billboard, which raved, “Beer understands how to follow through on a fun, flirty electropop banger, as she proves again.”

She is set to perform at the Victoria’s Secret Fashion Show in New York City on Wednesday, October 15th at 7 PM ET on Prime Video and Amazon Live for U.S. audiences and globally on Victoria’s Secret’s official YouTube, TikTok, and Instagram account.

Beer is a platinum-selling, two-time GRAMMY-nominated singer, songwriter, producer, and author. She has built an impressive resume with visceral vocals —becoming a dynamic multi-hyphenate.

Her second studio album, Silence Between Songs, earned her first GRAMMY nomination and secured her second consecutive spot on the Billboard 200, following Life Support. She released standout singles including “Sweet Relief” with the music video quickly hitting a million views, while “Spinnin” inspired her third sold out global headlining tour. The Spinnin Tour spanned 60 dates across the U.S., EU, U.K., and Australia, with stops at iconic venues including Radio City Music Hall and The Greek Theatre.

For “Make You Mine,” Madison received her second GRAMMY nomination in the Best Dance Pop Recording category. The song has been at the top of Billboard’s Dance Airplay chart since its debut in April 2024, becoming her first #1 solo. She earned back-to-back #1s with “15 MINUTES,” another Dance Radio song that topped the charts.

Madison most recently released her first new song of 2025, “yes baby,” which earned early praise from Rolling Stone, Billboard, PAPER, and more. In its first day, the song received over a million Spotify plays.

Writing, producing, directing, and designing with unwavering authenticity, Madison is a true creative powerhouse. She is one of the most well-known voices of her generation, with over 72 million followers on social media.

FOLLOW MADISON BEER HERE: 

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