Entertainment

In celebration of its eleventh year of taking part in the Department of Education’s Brigada Eskwela program, Enchanted Kingdom, the nation’s first and only world-class theme park, donated two adopted kindergarten classrooms to Caingin Elementary School in Santa Rosa, Laguna. This is a component of EK’s School of Enchantment curriculum, which combines education and entertainment to create enjoyable and distinctive learning opportunities.

A statewide school maintenance program called Brigada Eskwela encourages all parties involved in education to donate their time, energy, and resources to make sure all public schools are ready for classes to start. “Sama-sama Para sa Bayang Bumabasa” is this year’s theme.

Now celebrating its 30th anniversary, this is the 11th year that EK is supporting the said program inline with its commitment to nation-building and education. Since 2012, EK has turned over a total of 14 refurbished kindergarten classrooms in nearby schools, ensuring that students have access to fun, safe, and magical learning environments.

The premier theme park’s very own maintenance personnel repaired and upgraded the lighting and electrical system of the classrooms as well as added furniture and shelves; while their visual artists brightened the atmosphere by painting EK’s beloved characters and core values into the classroom walls.

EK President and Chairman Cesar Mario Mamon expressed their commitment not only to expand their reach for Brigada Eskwela, but also to bring even more magical and educational experiences that go beyond the four corners of the classroom.

“Education is vital in our future plans because we want to provide an alternative classroom—that when you go to Enchanted Kingdom, students will be able to appreciate and learn about different subjects,” he shared.

In a separate meeting with Department of Education Secretary Sonny Angara, Mayor Arlene Arcillas, and officials from the Schools Division Office of Santa Rosa City, EK affirmed their support to all of DepEd’s plans and programs.

School Division Superintendent (SDS) for Santa Rosa Hereberto Jose Miranda, CESO VI; Education Program Supervisor (EPS) for Kindergarten and Special Education (SPED) Maribel De Vera; Cluster III Public Schools District Supervisor (PSDS) Soledad Baylon; Barangay Caingin Captain Edwin Servo; Caingin Elementary School Principal III Guadalupe Factoriza; School Parent-Teacher Association (SPTA) President Josephine Mandala; and teachers, parents, and students graced the turnover ceremony, which was presided over by Santa Rosa City Vice Mayor Arnold Arcillas.

Visit https://www.enchantedkingdom.ph for additional details and updates about these and EK’s other forthcoming events and promotions. You can also follow EK on social media at @ek_philippines on Instagram and @enchantedkingdom.ph on Facebook and Tiktok.

Helmed by filmmaker and screenwriter Fatrick Tabada, the comedy-drama stars award-winning actress Sue Ramirez

The sorrowful folk-pop song “Kung Ikaw Ay Masaya,” by Filipino singer-songwriter dwta is released by Sony Music Entertainment.

The official soundtrack for the upcoming comedy-drama Flower Girl, which stars Sue Ramirez, includes the song.

Ena, a young lady searching for her lost “womanhood,” is at the heart of this quirky, entertaining, and profoundly reflective film, which was directed by multi-awarded filmmaker and screenwriter Fatrick Tabada.

Tabada offers nothing but high praises for dwta’s latest song, pointing out its pivotal role in supporting the lead character’s journey of self-discovery and acceptance. “Amid the film’s absurdity, the song grounds Ena and brings out her humanity,” Tabada adds. “Though Ena may come off as unlikeable at first, Kung Ikaw ay Masaya reminds the audience that she is a woman in the process of rediscovering her humanity—and that she, too, is allowed to stumble in her journey toward self-worth.”

WATCH THE FLOWER GIRL TRAILER HERE

“When I watched the trailer, I already felt that the story was very different,” shares the Bicol-born, Manila-based artist. “It’s not the usual love story you see in movies. That’s also how the song connects to the film. The original nursery rhyme is for kids but the way we used it in the song gave it a more serious feel, kind of like how the film talks about stuff people don’t usually talk about. It’s like both the song and the film took something familiar and made it feel more real and grown-up. It proves that even things that seem light can carry real weight.”

True to her roots as a storyteller and film enthusiast, dwta has always gravitated towards narratives that challenge convention. She sees Flower Girl as the type of film that aligns with her vision as an artist.

“it’s not just any movie,” she explains. “It’s bold, it’s unique, and it talks about things that are rarely depicted in mainstream Filipino cinema. “And with big stars like Sue Ramirez, KaladKaren, and other amazing actors in the cast, it’s a huge honor to be part of something this incredibly meaningful.”

DWTA’s “Kung Ikaw ay Masaya” serves as the soundtrack to Ena’s penultimate chapter in her search for true love. Amid the film’s absurdity, the song grounds Ena and brings out her humanity. Though Ena may come off as unlikeable at first, “Kung Ikaw ay Masaya” reminds the audience that she is a woman in the process of rediscovering her humanity—and that she, too, is allowed to stumble in her journey toward self-worth.

The song’s main hook, which also serves as its chorus, reimagines the beloved nursery rhymes of the same name. dwta’s take turns the familiar childhood melody into a haunting serenade that conveys the frustration of being at the receiving end of mixed signals and false hopes. She transforms what is typically lighthearted and innocent into something deeply personal.

LISTEN TO “KUNG IKAW AY MASAYA” HERE

The ’Santigwar” act reveals, “I ended up enjoying the process so much that I made a list of other nursery rhymes/ children games I could write songs from. Kung Ikaw Ay Masaya is one of them. I guess what inspired me the most was the idea that even the simplest, happiest songs can have deeper meaning if you look at them from a different angle.”

This isn’t her first foray into nursery rhymes-inspired music. Earlier, she released “Sampung Mga Daliri,” a nostalgic track turned bittersweet duet with SB19’s Justin and “Nasusunog (Pants On Fire).” The emotional juxtaposition between childhood joy and adult heartbreak, she explains, is what gives the songs their resonance.

“Nursery rhymes are nostalgic for us and we usually associate them with childhood and happy times. But when you pair that song with a different story like heartbreak, it hits differently.”

With a simple arrangement consisting of just violin, guitar, and keyboard, “Kung Ikaw Ay Masaya,” which was produced by longtime partner Brian Lotho, keeps things subtle and personal.

Through Sony Music Entertainment, “Kung Ikaw Ay Masaya” by dwta is currently available on all digital music platforms globally.

Flower Girl is out now in cinemas nationwide.

Image credit: KQ Entertainment

Ahead of their forthcoming “IN YOUR FANTASY” world tour, award-winning Korean all-star group ATEEZ makes a comeback with their 12th EP, GOLDEN HOUR : Part.3.

The trio was named the K-pop Artist of the Year by iHeartRadio, received their first nomination for an American Music Award this year, and is releasing a new album to continue their unstoppable popularity.

The delicate yet perilous charm of ATEEZ catches the beauty of every faltering moment, shining brilliantly just as it is, and this album marks the beginning of an unbounded temptation. It encapsulates the frantic energy of a summer evening—a brief moment of liberation and escape that slakes a profound, nearly ravenous hunger.

GOLDEN HOUR : Part.3 explores how youth confronts raw emotion, taking listeners on a journey of temptation, rebellion, and wavering to uncover the true nature of feelings. Amid the fast-paced rhythm of daily life, emotions are often suppressed, causing that thirst to intensify—an unquenchable desire that only grows stronger.

It’s a burning thirst that can no longer be delayed and reaching for something sweet yet dangerously tempting offers only momentary relief, never true satisfaction. The EP follows their journey as ATEEZ chooses the path less followed, reclaiming their emotions and rediscovering what once connected them to themselves and others.

The EP features five songs, with members HONGJOONG and MINGI taking part in writing the lyrics for four out of the five tracks on the album. The focus track “Lemon Drop,” is a seasonal song perfectly crafted for summer. Like a refreshing Lemon Drop cocktail, ATEEZ’s sweet and cool confession infuses hot summer days with excitement. You can watch the music video here and stream the album here.

LISTEN TO ‘GOLDEN HOUR : Part.3’

[GOLDEN HOUR : Part.3] TRACK LIST

1. Lemon Drop **title track**
2. Masterpiece
3. Now this house ain’t a home
4. Castle
5. Bridge : The Edge of Reality

Following the announcement of their [IN YOUR FANTASY] world tour, which will begin in Incheon on July 5 and travel through the United States, Mexico, and Japan, this EP was released. At the end of August, ATEEZ will go to Mexico City and 11 American cities before performing in Japan. They reach new heights with this tour, bringing their immersive performances to even larger venues. They will perform in five North American stadiums, including two nights at the BMO Stadium.

For more about ATEEZ, visit: https://ateez.kqent.com/

ATEEZ SOCIALS:

INSTAGRAM (10.6M+) | TIKTOK (8.2M+) | X/TWITTER (4.3M+) | SPOTIFY (3.4M) | YOUTUBE (4.4M+)

INDIVIDUAL INSTAGRAM:

HONGJOONG | SEONGHWA | YUNHO | YEOSANG | SAN | MINGI | WOOYOUNG | JONGHO

The visuals capture the chaos, clarity, and catharsis of true friendship in motion

Photo by Nina Sandejas

The official music video for “Platonic,” a highlight song from Barbie Almalbis’s critically praised fifth studio album, Not That Girl, has been released. Almalbis is a Filipino alt-rock icon. The movie, which was directed by Nina Sandejas, an award-winning photographer and longtime creative partner, offers a raw look inside a night of sweat and music at Mow’s, an underground music club in Quezon City.

A documentary-style montage of mosh pits, dance breaks, and crowd surfing is shown in the video, which is set against the backdrop of Barbie’s most recent performance at the renowned gig space. It is driven by the intense delight of a shared, meaningful musical experience rather than by angst. Barbie exclaims, “I want to see a pit… lovingly,” before breaking into “Platonic,” a two-minute outburst of cathartic intensity.

“This song is about loving people fiercely, unconditionally, generously, vulnerably, in a non-romantic context,” shares Almalbis. “Platonic love has been so enriching in my life, and I’ve really felt much less alone because I have deep friendships to count on or because I can be a friend to someone. I think the world would be less lonely if more people would embrace its joys.”

The idea for the music video came to Sandejas after attending a series of metal shows and noticing the primal yet euphoric energy in the mosh pit. “When I saw Barbie was playing Mow’s, it hit me; we have to document this,” says Sandejas. “Barbie starting a riot? That’s exciting. But of course, it had to be done with love. That’s what makes this different.”

The end result is a raw, kinetic visual experience: a time capsule of the night where friendships collide in the most visceral way. “It was a rush,” adds Sandejas. “We stitched together this fast, chaotic blur of sweat and joy. My favorite moment? That loving pit Barbie asked for. She knew exactly how wild it would get and how to ground it in something beautiful.”

Produced by Nick Lazaro, “Platonic” is Barbie’s first foray into heavier territory. What began as a quiet acoustic sketch quickly transformed into a thunderous anthem, thanks to Lazaro’s instrumentation and contributions from Eclectic Kiss artists Faye Yu, Marika Laciste, Marj Roxas, and Pikoy on gang vocals. “I just said, Nick, I have something—can you make it metal?,” Barbie laughs. “He absolutely did.”

The idea behind “Platonic” comes from C.S. Lewis’s work, The Four Loves, particularly his discussion of friendship as a quick but essential kind of love. Barbie’s words in “Platonic” tackle this concept with candor and a dash of edge, driven into musical overdrive by an unexpected and thrilling metal shift.

Check out Barbie Almalbis’ “Platonic” music video  here.

Two of its main rides, the Space Shuttle and AGILA The EKsperience, will be temporarily closed from July 1 to September 30, 2025, as Enchanted Kingdom, the first and only world-class theme park in the Philippines, prepares to offer even more enchanted experiences to all Filipinos for its 30th anniversary.

The two attractions’ significant improvement and modernization are at the forefront of EK’s continuous park rejuvenation and dedication to giving all park visitors more spectacular experiences, according to EK President and Chairman Cesar Mario O. Mamon.

“Beyond our steadfast pursuit of introducing new enchanting experiences, we are also dedicated to reimagining and reengineering our existing attractions, ensuring that multi-generational guests will be forever enchanted this 2025 and the years to come,” he furthered.

Both attractions are expected to reopen as part of EK’s 30th anniversary celebration in October.

The iconic rollercoaster ride, Space Shuttle, is one of EK’s legacy rides which has been bringing thrill and excitement ever since the theme park opened its gates to the public in 1995. Aside from its signature twists and turns, the upgrade will feature a new loading and unloading experience, along with more efficient operation and monitoring of the ride.

AGILA The EKsperience, the first and only flying theater in the Philippines, has been the cornerstone of EK’s magical and educational entertainment, catering to over half a million students each year. Park goers experience a magical journey soaring on the wings of the Philippine eagle to witness the most iconic destinations in the country.

The reopening of AGILA will elevate learning and entertainment to new heights as it delves further into advancing awareness of environmental responsibility and sustainability.

In addition to these, EK is also working its magic to restore and enhance all of its other themed areas, attractions and facilities in preparation for its milestone celebration on October 18 and 19.

EKlipse, the theme park’s newest family thrill ride and the first of its kind in Southeast Asia, is among the more than 30 rides and attractions that are still open to visitors. Everyone can look forward to a variety of captivating events and offerings as EK maintains its position as the nation’s top theme park.

Visit https://www.enchantedkingdom.ph for additional details and updates about this and EK’s other events and promotions. You can also follow EK on social media at @ek_philippines on Instagram and @enchantedkingdom.ph on Facebook and TikTok.

It serves as the lead single off ‘jgh’ deluxe EP, which also features live versions of “Your Boy,” “Hurt Me Too,” and “Pahinga”—to name a few

The new track “Pahinga,” which features pop hitmaker TJ Monterde, was formally released by multi-awarded singer, actor, and all-around creative dynamo James Reid.

The soul-stirring duet is the lead single from the jgh (Deluxe) EP, which was released today by Careless Music and Sony Music Entertainment.

“Pahinga,” which was co-written by both artists with Jason Marvin and TJ Monterde and produced by James Reid and Brian Lotho, provides a novel perspective on the subdued tenacity of love. The song also functions as a fiery ballad that illustrates how mature couples can be in trying times—not by fighting more, but by carefully pausing.

According to James, “Pahinga” doesn’t demand resolution through drama; it seeks solace in stillness. The song essays the quiet understanding between partners who, in the wake of emotional storms, choose to pause, breathe, and stay for love.

“It began with a real-life experience,” James recounts a previous encounter, which became the inspiration in writing the track. “I realized you need to quiet the mind so you can hear your heart. Pahinga is about patience and perseverance in relationships. The blend of country and R&B was something I’ve been wanting to try recently, and I think the genre really helped bring out the sincerity of what we were trying to say.”

From its tender, soothing melodies to its vulnerable lyrics (Pahingi nang isang minuto, mataas lang emosyon ko ngayon. But after all this, mahal pa rin kita), the track carries the weight of truth only lived-in love can bear. With Monterde’s signature warmth and Reid’s introspective sincerity, “Pahinga is a lullaby for grown-up hearts still learning how to rest in love.

But “Pahinga” is just one chapter of a larger story. It anchors the jgh (Deluxe) EP, a carefully expanded edition of James’ 2024 release of the same title. The deluxe version of the EP also contains live versions of all the songs in the previously released record, with the addition of “Your Boy,” “Pahinga” and “Hurt Me Too,” which further underscore the record’s intimate appeal.

“I’ve really enjoyed recording live versions of my songs, so I wanted to package them together with my new song, Pahinga, to wrap up the whole JGH journey back into OPM,” reveals the ‘Mirasol’ singer in a press statement.

Eschewing polish for authenticity, these renditions echo the warmth of a jam session shared among close friends. James and his team wanted the listeners to feel “like they were there in the room with him and the band,” while embracing the imperfection and intimacy that come with an unplugged recording. “I wanted the audience to feel like they’re there hanging out with me,” he adds.

First released in 2024, ‘jgh’ marked James’ pivotal return to making pop-leaning tracks with distinct OPM sensibilities. ‘jgh’ deluxe EP (short for “just got home”) gives an intimate glimpse into the celebrated multi-hyphenate’s past and present life, chronicling how he has matured all these years, both as an artist and as a person.

The EP, which combines pop, R&B, and OPM sensibilities, shows Reid at his most vulnerable. He rediscovers the sincere, grounded aspects of himself that he may have lost touch with and learns to embrace and forgive the imperfections that come with it. That homecoming feels even more complete now that the deluxe edition is available.

The ‘jgh’ deluxe EP, James Reid’s latest album, is currently available on all digital music platforms globally through Sony Music Entertainment and Careless Music. Keep an eye out for James Reid’s official YouTube channel to release the live performance video for “Pahinga.”

Longtime Beatles fans The Itchyworms gear up for a meaningful UK debut, championing nostalgia, rock music, and Pinoy Rock

Filipino rock icons The Itchyworms marks their long-awaited debut in the UK with the #AkinKaNaLangUK Tour.

With a three-city tour that includes Manchester, Liverpool, and London, the chart-topping group behind the hits “Beer,” “Love Team,” and “Di Na Muli” is expected to provide their unavoidable live presentations and anthemic sound.

The band, who have always been Beatles fans, is particularly excited to be seeing the same venues and areas that influenced their musical heroes.

“We’re HUGE Beatles fans, so I’m excited to go to Abbey Road with my bandmates, and of course Liverpool, and play at the Cavern Club where the Beatles first performed,” shared Vocalist/Drummer Jazz Nicolas. “England feels like our ultimate frontier.”

The UK leg of the tour follows the band’s well-received shows across Japan, Singapore, the US, Canada, and Taiwan. The response during their tour was met with overwhelming love from global fans—many of whom introduced the band’s music to friends and partners of all nationalities.

“What I realised is they don’t care if they understand the words—they understand the feeling,” said Vocalist/Guitarist Jugs Jugueta, reflecting on the universal language of music.

Between shows, the band hopes to squeeze in some sightseeing and soak up the musical heritage of each city.

Jugs explains, “I’ve been to London three times already, but this is the first time I’m going there with my bandmates. We’ll be geeking out on all things Beatles!”

But touring isn’t without its challenges. With a lean crew that includes only a manager, sound engineer, and sometimes one tech, The Itchyworms emphasize flexibility and endurance on the road.

Kelvin Yu, the band’s bassist, shared some tips when it comes to touring the world as an artist from the Philippines. “Our tip to other bands: Start with Japan or Singapore. They’re close to the Philippines, cheaper, and have great gig opportunities with strong Filipino communities.”

Despite the logistical hurdles, the band remains energized by the global enthusiasm for OPM (Original Pilipino Music).

“OPM deserves to be heard and appreciated internationally—and we’re seeing that happen more and more,” the award-winning band shares in a press statement. “We love it!”

The tour has already yielded some unforgettable moments—from a fan in Osaka who tried to kiss two band members, to an enthusiastic senior in Chicago who attempted a surprise striptease mid-show.

As for what audiences can expect from their live performances, the band puts it simply:

“For more than two hours, we hope the music brings people back to the Philippines. We want them to forget their problems and just enjoy Filipino music with fellow Filipinos.”

And this is just the beginning of the voyage. The band teases further tours in Australia, New Zealand, a 2026 return to Canada, and perhaps some visits in Southeast Asia, even though the UK marks a significant milestone.

To their UK fans, the band has a heartfelt message: “We’re so excited to meet you all in Manchester, Liverpool, and London! If you see us on the streets, don’t be shy to say hello!”

Catch The Itchyworms on the #AkinKaNaLangUK Tour:

June 22 (Sun) – Night & Day Cafe (Manchester)

June 23 (Mon) – Cavern Club (Liverpool)

June 28 (Sat) – Dingwalls Camden (London)

Tickets available at: www.itchyworms.com

Follow The Itchyworms on social media for updates and behind-the-scenes moments:

Facebook: The Itchyworms Facebook Page

Instagram: @theitchyworms

X (formerly Twitter): @theitchyworms

Spotify: The Itchyworms on Spotify

TikTok: @theitchyworms

YouTube: The Itchyworms Official Channel

Now that the fire has returned, it is more radiant than before. On October 28, 2025, at 8:00 PM, Asia’s Phoenix, Morissette, will perform as the main act at her most anticipated solo show to date, Ember, at the Smart Araneta Coliseum. This performance honors 15 years of music, achievements, and worldwide influence.

One of the most captivating voices of her time, Morissette began her career as a formidable young performer on The Voice of the Philippines and has since performed with such legendary artists as Michael Bolton and Alan Menken. She is now back on stage as a creative force propelling Original Pilipino Music to new heights, in addition to being a singer.

A Landmark Year for Asia’s Phoenix

2025 is shaping up to be a milestone year for Morissette. In addition to Ember, she stars in the highly anticipated musical film Song of the Fireflies, premiering on June 25, where she showcases both her dramatic range and signature vocal prowess. Her latest collaboration with acclaimed band December Avenue, titled “Ahon,” reveals a more intimate, acoustic side of her artistry—captivating longtime fans and drawing in new listeners alike.

Beyond the Philippines, Morissette continues to represent proudly on the world stage, performing in a series of TFC (The Filipino Channel) shows across the US and Europe. Her global presence reinforces her status not only as a local icon but as a worldwide ambassador for Filipino music and talent.

Ember: A Concert Like No Other

Ember marks Morissette’s return to the Araneta stage for her first major solo show since Morissette is Made in February 20, 2018. This performance is set to be a deeply personal and sonically spectacular journey through her past hits, current projects, and a glimpse into what’s next under her own label, Underdog Music and Gabi Na Naman Productions (GNN).

Expect soaring vocals, raw emotion, and unforgettable moments—Morissette is not just looking back on 15 brilliant years, she’s setting the tone for her next chapter.

Event Details

• Date: October 28, 2025
• Time: 8:00 PM
• Venue: Smart Araneta Coliseum
• Ticketing details and additional information will be released soon.

This is More Than a Concert—It’s a Cultural Moment

Morissette has a long way to go. Ember is the pinnacle of a legacy-in-the-making, spanning from movies to worldwide tours to musical development.

Save the date. Witness the passion. Feel the fire.

Miley Cyrus has released her ninth studio album, Something Beautiful, now available on all major streaming platforms through Columbia Records. Listen HERE.

The 13-track project pairs heartfelt lyricism with sweeping, cinematic production. It includes the brand-new single “Easy Lover,” along with earlier releases like “More to Lose” and “End of the World,” and standout new tracks such as “Walk of Fame.”

A full-length visual film accompanying the album will debut on June 6 at the Tribeca Festival. Co-directed by Miley Cyrus, Brendan Walter, Jacob Bixenman, and acclaimed filmmaker Panos Cosmatos, the film vividly brings Something Beautiful to life. Naomi Campbell also makes an appearance in the visual for “Every Girl You’ve Ever Loved.”

Co-produced by Miley Cyrus and Shawn Everett, and featuring contributions from Brittany Howard, Maxx Morando, and Michael Pollack, Something Beautiful is a deeply introspective, sonically bold, and emotionally rich project.

The visual album will premiere in theaters across the U.S. and Canada for one night only on June 12, with international showings starting June 27. Tickets are available at: www.MileyCyrusSomethingBeautiful.com.

The Eraserheads’ iconic third album gets a genre-bending makeover from some of the most exciting homegrown music acts

Offshore Music, a prominent independent label in the Philippines, celebrates the enduring legacy of The Eraserheads’ Cutterpillow with a tribute album showcasing a dynamic mix of rising and well-established local artists.

Commemorating the 30th anniversary of the iconic alternative rock record, the compilation breathes new life into its classic tracks. Artists from Offshore’s diverse lineup offer unique reinterpretations—some boldly experimenting with genre-blending styles, while others remain faithful to the originals, adding their personal touch to the beloved songs.

“We didn’t set any parameters,” explains Ely Buendia, CEO of Offshore Music. “We just told the artists that it was a tribute album, and they can interpret it as they see fit. Some totally changed the feel, genre, and energy of the song, and some stayed faithful to the material but added some sprinkles of their own musicality in it. The balance just came naturally. The decision is left to the artists, and we trust that they have the taste and wisdom to determine whether they are enhancing the original song or giving it some sort of a sonic makeover that appeals to a specific generation of listeners.”

Audry Dionisio, the General Manager of Offshore Music, emphasizes the label’s commitment to artistic freedom and integrity. She notes that Offshore Music has always empowered its artists to push boundaries, whether by challenging conventions or breathing new life into timeless material.

“Each artist was given complete creative freedom,” Dionisio explains. “Some producers collaborated directly with the band, but Ely and Pat Sarabia oversaw the entire project. We’re fortunate to have one-fourth of the Eraserheads guiding the process and lending his seal of approval. All the artists decided on what they were going to do, and we were just here to guide them. Even Rayms, Buddy, and Marcus gave their input on some tracks.”

Cutterpillow: Tribute Album art

Cutterpillow: Tribute Album brings together a diverse array of standout performances, including Diego’s Scenes and Ligaya Escueta’s emo-charged take on “Back2Me,” Elton Clark’s synth-pop spin on “Torpedo,” Carousel Casualties’ knockout rendition of “Walang Nagbago,” Pinkmen’s harmony-rich version of “Ang Huling El Bimbo,” Pixie Labrador’s Lilith Fair-flavored style “Fill Her,” ALYSON’s slick city pop render of “Huwag Mo Nang Itanong,” ena mori’s theatrical reworking of the title track, and Amateurish and Stef Aranas’ dynamic redo of “Superproxy,” which serves as the album’s focus track.

The year-long campaign of the tribute album launched earlier this year with limited-edition merchandise designed by award-winning artist Tarantadong Kalbo (Kevin Eric Raymundo). The t-shirts and tote bags, which featured his signature illustrations, quickly sold out in a matter of days.

In addition to the album’s digital release, Offshore Music is set to premiere a companion docuseries on June 6, 2025, with new episodes dropping every Friday through August. The online series will showcase behind-the-scenes footage from the recording sessions, as well as interviews with the artists and producers involved.

“Additionally, in this documentary, you’ll witness the highs and lows of their journey as part of the tribute album—from their first reactions to joining the project to brainstorming, recording take after take, and their spontaneous bursts of creativity,” shares Offshore Music in a press statement. “The documentary is more than just a recording of the process; it’s a celebration of passion, creativity, and the timeless impact of Cutterpillow.

Check out the tracklist of Cutterpillow: Tribute Album:

1. “Superproxy” – Amateurish feat. Stef Aranas
2. “Back2Me” – Diego’s Scenes and Ligaya Escueta
3. ‘Waiting for the Bus” – MI MI and Eliza Marie
4. “Fine Time” – Sansette
5. “Kama Supra” – Seedy and the Years
6. “Overdrive” – JUICEBOX
7. “Slo Mo” – GundamFunk
8. “Torpedo” – Elton Clark
9. “Huwag Mo Nang Itanong” – ALYSON
10. “Paru-Parong Ningning” – Her Name is Noelle
11. “Walang Nagbago” – Carousel Casualties
12. “Poorman’s Grave” – Grave Aviators
13. “Yoko’ – neytan
14. “Fill Her” – Pixie Labrador
15. “Ang Huling El Bimbo” – Pinkmen
16. “Cutterpillow” – ena mori
17. “Overdrive (Reprise)” – OFFSHORE MUSIC

Cutterpillow: Tribute Album is now available globally on all digital music platforms, released through Offshore Music and Sony Music Entertainment.