The Queen of Christmas is back and multi-platinum megastar Mariah Carey teams up with award-winning R&B singers Khalid and Kirk Franklin for the holiday-inspired jam “Fall In Love at Christmas”. After establishing a reputation for spreading yuletide cheer every end of the year with “All I Want For Christmas Is You”.

Recorded in Atlanta and Los Angeles at Carey’s Butterfly Lounge recording studios, the R&B and gospel-infused ballad arrives just in time for the season.

The all-star collaboration was released by Carey’s imprint, MARIAH, in partnership with RCA Records and RCA Inspiration, and was written and produced by Carey, Franklin and Daniel Moore II. What promises to be a new holiday classic, “Fall in Love at Christmas” is now streaming on all digital platforms worldwide.

Music Video and Physical Release

Today, the three artists also premiered the music video for “Fall in Love at Christmas,” which was directed by Carey and Bryan Tanaka. Filmed at Carey’s home and the Butterfly Lounge in LA, the visuals feature her twins, Monroe and Moroccan, and evokes the warm and loving spirit of the holidays.

For those who like CDs, a special, three-track release can be purchased on the official Mariah Carey Store. It is available for pre-order now at the website.

Following the release of “Fall in Love at Christmas,” Mariah Carey will continue celebrating the season with a new holiday event on Apple TV+ in December, featuring the first and only exclusive performance of “Fall in Love at Christmas” with Carey, Khalid and Franklin.

Listen to “Fall in Love at Christmas” at https://smarturl.it/FILAC

Watch the “Fall in Love at Christmas” video at https://smarturl.it/FILAC/YouTube

Listen to DIONELA’s “SUGAL”: https://dionela.lnk.to/sugal

Love is a gamble release of the rising star Dionela is riding the soul train of his new single “Sugal”— is out now on all streaming platforms worldwide via MCA Music Inc. The soothing R&B track equates loving someone to betting your heart in a gamble: it’s a risky endeavor that has no assurance of winning or losing, but it’s part of growing up.

“The song is about being courageous in falling in love again after so many heartbreaks from your past toxic relationships,” the Agaw singer-songwriter/producer adds. With his velvety vocals floating freely into the background, Dionela delivers a captivating performance that fleshes out both his persona and aesthetic. Over slick, bedroom beats and somber instrumentation, he sings as if coming from a place of innocence and earnestness—never holding back, but ready to accept whatever consequences that might come his way.

“Sugal” is written and produced by Dionela himself and is considered as a product of both love and experiment. The promising newcomer shares, “everything, from tracking to mastering, I did it in my room. There are flaws about the track when it comes to the technical side, but I’m beyond happy about the result.  It feels like the first time I rode a bike without the training wheels and I’m super proud of it.”

The song follows the online success of “Agaw,” which has amassed over a million streams to date, and the moody but inescapable tune “Gone,” released in 2020.

About Dionela

Dionela

When Tim Dionela was older, his parents told him that, after a pastors’ meeting his father attended, a foreign missionary there went over to him and predicted, or rather prophesied, that their son would someday make it to the top of the music world with God’s help. Whether this will come to pass is something we have yet to know, but Dionela, as he wants us to call him, has enough promise to at least make a start.

Dionela was born in 1999 and lives in Guiguinto, Bulacan. His parents loved to make music, and he started singing when he was three. “Even at a very young age,” he says, “my parents noticed that I’m not afraid to sing in front of many people.” He would volunteer to entertain people at parties and events. When he was eight, he says that he became able to sing in tune. His mother even reports that he would call out musicians and singers in church for playing and singing off-key. Even at that age, he took music very seriously.

Dionela took his musical skills one step further when he turned 11. Someone taught him how to play the guitar, and he learned how to do it even if he didn’t know what chord he was playing. He started composing songs back then and would make his friends at the computer shop hear his new tunes. When he turned 16, he auditioned for a choir at school, but he didn’t make it after the choir director heard him singing the notes of his audition piece with a twist. The choir director’s conclusion? Dionela was better as a soloist.

After some disappointments in life, many years later, Dionela decided to start making music on his terms. He learned music production and set up his own studio, which proved helpful during the pandemic. He continued to compose songs about love and to keep learning how to make his music better. Now, he says, he has found his musical identity. He is an R&B artist with dreams of being a pop star.

Dionela’s fondness for R&B began when he first encountered American singer-songwriter Ginuwine’s 2001 tune “Differences.” The song is still one of Dionela’s favorites to this day; he still listens to it. Its distinct synth intro and melodic chorus left an impression on him. It is just one example of the kind of music that he feels is connected to his soul. He has since discovered many other R&B artists, particularly those who have crossed over into the pop charts like Bruno Mars. However, R&B acts from the 1990s and early 2000s have a special place in his heart, including Boyz II Men, Destiny’s Child, Neyo, and Usher.

What does Dionela hope for his music? He wants to make his songs the kind that fit into a couple’s love story that they would remember as they grow older. He wants his music to leave a legacy for other younger musicians to admire. Most of all, despite his dreams of success, he hopes to remain the humble kid from Guiguinto whose parents were told that God had big musical plans in store for him. After all, musical talent can be providential.

Listen to James Arthur’s new album It’ll All Make Sense In The End

Finally back James Arthur with his highly anticipated fourth studio album, It’ll All Make Sense In The End. Having written and recorded bulk of the songs during the lockdown in the comforts of his home, the versatile hitmaker spent some time ruminating on the changes in his personal life, while using it as inspiration for his music-making journey. This enabled him and his collaborators to work on their own convenient time, round the clock, but not to the clock.

“And all of a sudden, the music started sounding great,” the former X Factor UK winner shares in a statement. “From day one there was a sound that I wanted to go for. Even early on, it sounded like a real album, a proper body of work. This is the first time I’ve made an album all in one place and you can hear this in the music. There’s something really comfortable about working in your own home – I was able to be more vulnerable than ever.”

James Arthur

After writing the boldly autobiographical first single “Medicine,” James and frequent collaborator Andrew Jackson (“Train Wreck”) quickly came up with “Losing You,” an anthemic electronic-rock song that’s big on heart, riffs and emotive punch.

Arthur reveals, “I wanted this album to have proper rock elements. The kind of rock I love is emo and pop-punk, so I wanted to domy take on that genre. Lyrically that song, like a lot of the songs, is the sound of someone who’s doing a lotof reflecting, a lot of processing and being really honest about where I’ve been in my head. And in that song I’m talking to myself: I feel like I’m always on the verge of losing you.”

Another important track in the album is the early keeper “Déjà Vu,” written with Jackson and Mark Crew (Bastille, Rag’n’Bone Man). Demonstrating the full range of his vocal abilities, Arthur sings, ‘You fucked me up, I can’t get enough,’ with astounding vagueness that is a bit of everything, depending on how the listeners interpret the material.

“It’s been well documented that I’ve had my issues with all of those. It’s just quite honest stuff, really,” the iconic British artist adds.

Second single “September” is also part of the album, and shines through with its no-holds-barred confessional appeal and acoustic-meets-trap sound. As vulnerably naked in his lyrics as he ever was, Arthur also isn’t afraid to sing to the next generation: “Emily” is a tender, intimate mea culpa to the daughter he might one day have.

“That arose from conversations about having kids,” the pop/rock dad explains. “Would I even be a good dad? What if they read about all the shit I’ve been through? It doesn’t matter, because ultimately I’m the guy who’s going to be there for you all your life.”

The record also includes “SOS,” which Arthur describes as an album-defining song with 30 Seconds To Mars-esque chorus and a rap flow reminiscent of Miguel.

In moving out of London, the musician has created a safe space: a working place, family place, fitness place. In building that sanctuary he’s felt even more comfortable to be even more open, not just about the things that are inspiring him but also the things that are plaguing him.

“Travelling, going to other people’s studios, doing sessions in new places – for someone like me who has a bit of social anxiety, all that was difficult,” the multi-platinum musician shares. “But working at home allowed me to be more vulnerable.”

It allowed him to finesse a sound that gels over the entire album, that process aided by additional production from Matt Rad, who’s worked with Taking Back Sunday, one of his favorite bands. He helps bring cohesion.

“The sound is very simple. It’s basically raucous guitars with trap beats and strong, strong melodies,” Rad says of a musical approach he’s been honing for years in his collaborations with superstar artists such as Ty Dolla $ign, Machine Gun Kelly and Juicy J.

To date, James Arthur has sold over 30 million records worldwide and has to date released three hugely successful albums: James Arthur (UK No. 2), Back From The Edge (UK No. 1) and YOU (UK No.2), alongside nine solo UK Top 40 singles. He’s had two No.1 smash hits and was awarded a disc for reaching a billion streams on

Spotify with ‘Say You Won’t Let Go’, the No.1 global hit that brought the singer-songwriter from Middlesbrough back from the edge (it currently has 1.7 billion streams on the platform).

James recently dominated the airwaves and charts with his storming collaboration with Sigala ‘Lasting Lover’. The track was a No.1 airplay song in the UK, No.1 on iTunes and Top 10 on the Official Singles Chart.

James has announced tours of both UK and Ireland and North America in 2022, including a date at London’s prestigious Royal Albert Hall..

For more details, check out his music website. Out now on all digital music platforms worldwide via Sony Music the James Arthur’s It’ll All Make Sense In The End.