Entertainment

DAELUX Makes P-Pop Debut with Pre-Debut Single “Like That”

The newly signed Sony Music Philippines act embraces youthful energy, sisterhood, and the exhilarating uncertainty of catching feelings

Davao-based girl group DAELUX officially steps into the P-Pop scene with their pre-debut single “Like That,” released under Sony Music Entertainment.

The seven-member group’s latest track explores the thrill and uncertainty that come with developing feelings for someone, especially when you’re unsure if those emotions are mutual. Filled with playful lyrics and an upbeat, bouncy sound, “Like That” delivers a feel-good pop experience while capturing the confusion, frustration, and excitement of trying to read someone’s signals and figure out where a possible relationship could go.

“We were drawn to this theme because the feeling of liking someone and trying to figure out where you stand is something a lot of people can relate to,” DAELUX admits. “There’s excitement, but there’s also that uncertainty when you start overthinking little actions. For us, Like That captures that stage in a fun and lighthearted way. We may all have different experiences and perspectives on love, but the song reflects that real feeling of wanting clarity while still hoping the other person feels the same way.”

Instead of moping on the track’s complicated sentiments, “Like That” approaches the experience with optimism and youthful candor. Beneath its bright exterior, the song encourages confidence in expressing genuine emotions, especially when fear of rejection makes silence tempting.

The track also reflects the Filipino pop group’s sonic identity, with familiar storytelling and a clear sense of duality. The group embraces its free-spirited side while making room for a softer, more emotional dimension, allowing the music to reflect how young people navigate relationships, self-expression, and growing into themselves.

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“We think one of the biggest messages of the song is not to be afraid of truly expressing what you feel toward another person,” DAELUX explains. “It’s okay to be vulnerable, as long as you also know your worth and what you truly deserve.”

“Like That” is produced by Pao Lofranco with AndreaH as a co-writer, while the members contribute their own creative ideas to the songwriting process. Throughout its development, the group made several revisions, working closely with the production team and label to ensure the final arrangement felt authentic to DAELUX.

The song’s harmonies were arranged with the help of their vocal coach, Ma’am Shelley, who also worked on distributing the vocal parts to highlight the individual qualities of each member’s voice.

“While recording, we tried to bring ourselves back to a younger and more innocent feeling—when you’re still a little unsure and inexperienced when it comes to love,” DAELUX says. “We think that helped give the song its bright, playful, and youthful feel.”

“Like That” is DAELUX’s first release since partnering with Sony Music Philippines, bringing its distinct P-Pop brand to a wider audience.

“Being part of Sony Music is a huge opportunity for us. It gives us the chance to learn, grow, and take our music more seriously as artists. Working with them has also encouraged us to think bigger while still staying true to who DAELUX is,” shares the seven-piece group.

With all seven members—CK, Alice, Ara, Rhya, Slane, Zyra, and Riri—coming from Davao, DAELUX embodies a homegrown P-Pop journey rooted in the city. Beyond the members, the creative team behind the group’s music and performance video is also Davao-based, bringing together a shared pool of local talent that has played a key role in shaping DAELUX’s sound, visuals, and identity from the very beginning.

DAELUX’s “Like That” is now available worldwide across all major digital platforms through Sony Music Entertainment.

 

 

 

 

 

 

 

Lifestyle, News

New Tangere Survey Finds Limited Awareness of Transport VAT Among 1,200 Commuters, Strong Support for VAT Removal and Fuel Subsidies

As petroleum prices continue to rise, a recent public opinion survey by research firm Tangere, conducted from September 23 to 24, 2026, points to a significant gap in public awareness about the economics of public transportation, alongside strong support for government action.

The nationwide poll surveyed 1,200 regular bus commuters, defined as passengers who take the bus at least three to five times a week. The findings show that only 46% of regular commuters know that passenger fares are exempt from Value-Added Tax (VAT).

The survey findings spotlight a heavy hidden burden weighing down the public transport sector. While everyday commuters do not pay VAT directly on their transit fares, commercial transport entities—such as bus companies—must pay VAT and steep excise levies on the diesel fuel they buy to keep their fleets running.

To help bus operators cope with rising fuel prices, the Tangere survey revealed clear preferences from regular riders for government and structural relief:

  • 87% of respondents favor removing the VAT on dieselto directly lower operating overheads for transport providers.
  • 69% believe that providing direct government subsidiesis an effective solution to cushion operators against volatile fuel costs.
  • Around 44% are open to accepting transport fare increases as a last-resort measure to sustain daily operations.
  • Roughly 33% (one-third) are willing to tolerate fewer buses on the road and longer waiting times if it means keeping transport options afloat amid soaring operational costs.

Weighing in on the data, Tangere CEO Martin Peñaflor noted how the figures reflect both a knowledge gap and a clear public appetite for systemic solutions.

“The results of our latest survey among regular bus riders point to a significant information gap, with less than half realizing that while their fares are VAT-exempt, the bus operators themselves are heavily burdened by VAT and excise taxes on diesel,” said Martin Peñaflor, CEO of Tangere. “At the same time, the data shows that Filipinos clearly understand the severity of the operational squeeze on public transport. With an overwhelming majority calling for the removal of VAT on diesel and government subsidies, the public is looking for structural fiscal interventions that protect both commuters and transport providers.”

Legislators and transport groups are intensifying calls for the government to immediately suspend or remove fuel excise taxes and implement these targeted support measures to halt cascading inflation on food, goods, and everyday commuting.

Tangere is an award-winning, technology-driven market research company focused on understanding and capturing Filipino sentiments. It is a member of the Marketing and Opinion Research Society of the Philippines (MORES), the European Society for Opinion and Market Research (ESOMAR), and the Philippine Association of National Advertisers (PANA).

For access to the topline report and analytics from this non-commissioned study, interested parties may contact Tangere via email at [email protected].

 

 

Entertainment

Iman Fandi enters her bold era with new EP “Afterglow”

Singaporean artist Iman Fandi releases her debut EP “Afterglow” on 25 September 2026 across all major streaming platforms, the culmination of a breakout year and her most significant work yet as an independent artist.

“Afterglow” is a story of finding yourself again, discovering confidence, embracing ambition and learning to put yourself first. Across the EP, Iman steps into her own light, leaves behind what no longer serves her and embraces a bolder, more unapologetic version of herself. The EP explores the tension between the heart’s desire for connection and the mind’s instinct to walk away, creating a sound that is emotionally honest, self-assured and full of clarity.

LISTEN TO IMAN FANDI’S “AFTERGLOW” HERE

“But it’s also about having fun along the way,” Iman shares. “Dancing around with your girls, celebrating how far you’ve come, and romanticising your own life.” Through its sleek, edgy pop and R&B sound, “Afterglow” becomes a feel-good soundtrack for choosing yourself, embracing your ambition and letting your glow shine.

Where earlier singles “Tip Toes,” “Out Of My Mind” and “IT IS” traced that journey one chapter at a time, “Afterglow” brings the full arc together – the clearest statement yet of who Iman is as an independent artist.

The EP arrives on the back of a defining year, from her Singapore National Day Parade debut before a 42,000-strong crowd at the National Stadium to her first US stage at Broadus Together: Superstar Among Friends in Los Angeles.

INSTAGRAM | TIKTOK | SPOTIFY | YOUTUBE

 

 

Entertainment

Ben&Ben honors nearly a decade of music, memory, and becoming with anthology album “Nine”

The new anthology brings together a collection of reimagined favorites and new song “Harinawa,” offering a reflective look at the band’s evolution and the road ahead

For nine years, Ben&Ben has grown from a promising Filipino folk-pop collective into one of the Philippines’ most accomplished OPM acts. With billions of streams, major awards, sold-out concerts, and acclaimed performances on international stages, the nine-piece band has built a catalog of heartfelt anthems that resonate deeply with audiences at home and abroad. This year, the band adds another feather to their cap with the release of Nine, an anthology album that looks back on the music, memories, and experiences that defined Ben&Ben and shaped them into what they are today while opening doors to what comes next.

Rather than a straight retrospective, Nine serves as a musical time capsule of Ben&Ben’s first nine years: a collection that captures where the band has been, who they have become, and what they are still becoming. Gathering nine tracks that convey key moments in their story, the 9-track record lives at the intersection of nostalgia and discovery, comforting enough for longtime Liwanag (the group’s fanbase) to recognize the impact of every reworked note, yet fresh enough to offer new listeners an entry point into the band’s expansive sonic world. Apart from simply looking back, Nine honors the longevity of a friendship and creative partnership, reflecting a shared musical life that continues to unfold with brighter results ahead.

“We celebrate the love we have for one another and the bond we have built through the years,” says violinist Keifer Cabugao. “We’re just deeply grateful, not only for everything the past has taught us, but also for the gift of being present with one another today.”

Also worth mentioning is how Nine doubles as an act of revisiting—or, for simpler context, reimagining. The anthology features some of Ben&Ben’s most important songs through the perspective of musicians who have lived with them for years. The band returned to the original recordings, revisiting the instruments, arrangements, performances, and even the people they were when the songs first came to life. In doing so, the members discovered not only how much their music had changed but also how much they themselves had changed alongside it. The resulting songs retain the emotional DNA that first connected them with listeners while reflecting the experience and maturity of a band that has now spent nine years creating together.

“Reimagined, for us, is letting the songs grow up with us,” explains lead vocalist and acoustic guitar player Paolo Benjamin. “Our Liwanag, and we the band too, were molded by life a lot in the past nine years. Hindi biro ang mga karanasang humubog sa aming pagkatao nitong halos isang dekada na ang lumipas, parehong yung mga maaliwalas at yung mga madilim na yugto. And from all these combined, there was a burning desire to update the songs with our deeper, more nuanced perspective in the present.”

The evolution is evident in the album’s production and musical direction. Instead of radically reinventing the songs for reinvention’s sake, Ben&Ben reimagined each track from the vantage point of who they are as musicians in 2026. The arrangements reflect a band that has spent years performing together, while the instrumentation and production let familiar melodies move in new ways. Integral to the process was the intention to bring the chemistry and immediacy of their live performances into the studio, balancing stage energy with the precision and detail of a recorded work. The result is an album that feels both lived-in and renewed: recognizably Ben&Ben, but shaped by nearly a decade together.

“The influences and inspiration we truly channeled in producing ‘Nine’ were literally our nine years of experience in doing what we do—from our live show moments on stage and with Liwanag, to the close relationships we’ve built with each other in the band,” shares lead guitarist and backing vocalist Poch Barretto. “We really wanted to bring our live music experience and musical chemistry into the studio. It was a fun challenge for us to balance the energy of what we play live with the refinements of a studio recording.”

The album also highlights the collaborative relationships that have shaped Ben&Ben’s music over the years. JP Verona, who has worked with the band since its first album and across much of its recorded catalog, brought an understanding of the group’s core musical identity. At the same time, producer Ziv contributed a newer perspective that pushed the band toward fresher sonic possibilities. Poch led the album’s full production, balancing the different creative directions and ensuring that the recordings captured the band as it exists today. The project also features the contributions of Luke and Eo on drums for songs recorded during Jam Villanueva’s recovery from injury. Photographer and visual artist Sara Erasmo translated the album’s themes of memory and journey into its artwork and accompanying imagery.

Among the collection’s pivotal moments is its focus track, “Maybe the Night (Reimagined).” The song played an important role in the band’s history, as it was the first song the members worked on from beginning to end as a nine-piece, arranged collectively in Jam’s attic in 2017. Reimagined nearly a decade later, “Maybe the Night” becomes both a return to the beginning and a reflection of how far the nine musicians have traveled since then.

“Maybe the Night was the first song we collaborated on from start to finish as nine,” shares bassist Agnes Reoma. “Binigay namin lahat ng puso namin sa kanta na ‘to and it opened a lot of opportunities for us, from our first ever Paskuhan, first official movie soundtrack, to our first band trip abroad. This new album is a testament to our journey, and ‘Maybe The Night (Reimagined)’ reflects how we have grown as individual musicians and as a collective since that attic session.”

Alongside the reimagined songs, “Nine” introduces a brand-new track, “Harinawa,” giving the anthology a forward-looking conclusion. Written and completed in 2026, the band’s ninth year, it holds a specific place in the album’s chronological sequence. If the reworked songs serve as vignettes of Ben&Ben’s past nine years, “Harinawa” serves as the link to whatever lies beyond them. Carrying a spirit of positivity and good energy, the song closes the anthology not with finality, but with anticipation for the band’s next chapter.

“We hope for these nine songs to accompany [Liwanag and our listeners] wherever they’re at in their lives right now,” says percussionist and backing vocalist Toni Muñoz. “Hope comes in many forms, and we wish for our music to be even just a glimpse of one of them.”

Ben&Ben’s new anthology album, Nine is out now on all digital platforms worldwide via Sony Music Entertainment.

 

 

 

 

 

 

 

 

Lifestyle

Segundo Matias Jr. Calls for More Inclusive Children’s Books: “Let’s Include Every Child”

Children of different abilities and backgrounds should see themselves represented in the books they read, according to author and publishing executive Segundo Matias Jr., who is calling for greater inclusivity in children’s literature.

Matias said children should see themselves and others represented in the books and learning materials they encounter, noting that children with disabilities can easily be overlooked when representations are limited to what is considered “typical.”

His advocacy for greater inclusivity is reflected in Lampara Books’ presentation at the Manila International Book Fair (MIBF) 2026, where the publisher’s booth, posters, and tickets feature children with disabilities as well as children from different racial and ethnic backgrounds.

The initiative was partly inspired by Matias’ own experience with ADHD and a realization he had while listening to a Department of Education discussion about representation in textbooks. He recalled questioning why illustrations often show children with complete limbs when children with disabilities are also part of classrooms and communities.

“Bakit puro kumpleto ‘yung kamay? Samantala, sa totoong buhay, meron naman talagang putol ang kamay,” Matias said.

For him, the issue goes beyond representation. When children are consistently left out of the stories and images around them, they can also feel that they do not belong that could affect their self-esteem.

“They’re being left out,” he said. “They need to be accepted and understood.” 

For Matias, inclusion should not only mean making space for children with disabilities but also helping other children understand and accept them.

Matias believes books can play an important role in teaching that acceptance. He pointed to people with disabilities who have become writers, singers, painters, and professionals as examples of the talent that can be overlooked when they are not included.

This is the thinking behind the MIBF 2026 designs, which move beyond portraying only traditionally represented children. For Matias, showing children with different abilities and backgrounds is a way of reflecting the world as it is.

“Sinimulan ko na hindi lang mga batang typical ang ipinakita ko rito kundi iba’t ibang klase ng bata kasi ‘yun ang mundo,” he said.

The push for inclusivity will also extend to the stories Lampara Books seeks to publish. Matias said the company is open to stories featuring people with different disabilities and experiences, including blindness, Down syndrome, ADHD, and autism, just to name a few.

“We welcome those,” he said. “Let’s include them.”

For Matias, making children’s literature more inclusive is also part of addressing the wider challenge of encouraging children to read. Books that reflect different experiences, he believes, can help more children find themselves in stories while helping others better understand people whose experiences may be different from their own.

At MIBF 2026, that vision is being presented not simply as a design theme, but as a call to make children’s literature more reflective of the diverse children it hopes to reach.

Follow Lampara Books and Precious Pages Corporation on social media for updates.

Lampara Books

Facebook: https://www.facebook.com/lamparabooks

Instagram: https://www.instagram.com/lamparabooks/

Precious Pages

Facebook: https://www.facebook.com/PreciousPagesCorp

Automotive

Honda Riders Convention Carries the Riding Spirit to Visayas

Riders across Visayas gather for a celebration of shared passion, community, heroism, and women empowerment on the road

[From L-R] Mr. Reynold Casia, Department Manager-Visayas Field Sales; Mr. Virgilio Cachero Jr., General Manager-Customer Relations & SCM Office; Mr. Jomel Jerezo, Vice President/Operating Head-Sales & Customer Relations/SCM Operations; Mr. Takeshi Kobayashi, President; Mr. Kei Yanai, Executive Coordinator-Sales & Customer Relations/SCM Operations; Ms. Noelyn Quiaonza, National Sales Manager-MC Sales Department

Following the success of the Luzon leg, Honda Philippines, Inc. (HPI), the leading motorcycle manufacturer in the country, continued the momentum with the Honda Riders Convention – Visayas Leg, uniting Filipino riders for another celebration of growing community, collective passion, and riding excellence that inspire the new generation of Honda riders.

“The Luzon leg gave us a great start after showing us how strong and passionate the riding community has become. Bringing this convention to Visayas is our way of continuing that celebration and extending our appreciation to more Honda riders from across the region,” said Takeshi Kobayashi, President of Honda Philippines Inc.

The event brought together motorcycle enthusiasts, content creators, and media partners for a full throttle gathering that goes beyond the shared love for motorcycle riding. It offered exciting activities aimed at fostering meaningful connections, creating more experiences, and strengthening a more inclusive riding community.

As part of the Riders Convention activities, we incorporated the Corporate Social Responsibility (CSR) initiatives of HPI, for the first time.  Carrying the banner of bayanihan, the convention featured a special Blood Letting Activity at the Main Hall of Mactan Expo.  Honda riders, motorcycle club members, event partners, and attendees became real-life heroes as they donated blood that could save lives.  More than just a gathering, the event captured the true joy of riding with a purpose – reinforcing Honda’s commitment to giving back to the community by creating a meaningful and sustainable CSR programs.

To further enjoy the Honda experience, riders engaged in test rides, attended safety seminars, and offered Learn-to-Ride experience to strengthen the safety image of motorcycle riding and create confidence especially to female riders.

Furthermore, the event re-introduced the convenience and latest innovations of the new Honda mobile application, the MyHonda+ Philippines.  Various interactive activities were also conducted, each capturing the joy and excitement of riding, while showcasing how Honda brings together performance, innovation, and quality in every ride.

The Visayas Leg also served as the premier public launch of The Click125 Street. The latest model was introduced as the newest addition to the Click125 series, delivering The Game-Changer Upgrade made to redefine the riding experience, with its sporty style, performance, and advanced features.

Through the Honda Riders Convention, it also celebrated the growing presence and influence of women on the road. During the program, female riders took center stage to share inspiring stories and experiences about their passion for motorcycle riding. They emphasized how motorcycle riding can be a source of empowerment, confidence, and freedom.

More than fun-filled activities and a vehicle showcase, the event was a sincere way of gratitude and appreciation for the riders’ continued trust and support for Honda. As HPI continues to build a stronger presence in the motorcycle industry, it looks forward to delivering more quality motorcycles and creating more opportunities that welcome more women and next-generation riders in the riding community.

For more product information, visit www.hondaph.com. Stay updated on HPI’s newest products and promos by following Honda Philippines, Inc. on Facebook at facebook.com/hondaph, Instagram at instagram.com/hondaph_mc/, YouTube at Honda Philippines_Motorcycle, and TikTok at tiktok.com/@hondaphilippines. For a more convenient and seamless Honda ownership experience, download the NEW MyHonda+ Philippines mobile app. For inquiries, contact (02)-8581-6700 to 6799, and 0917-884-6632.

 

Entertainment

From Bali to Cebu: ALYSON is Back Home, Teases Upcoming Regional Tour

Photo by Lorenz Torres, September Fever Cebu PH

PH City pop band and Manila sound fusion ALYSON is back home in the metro after their debut performances at AXEAN FESTIVAL in Bali, Indonesia and September Fever in Cebu, Philippines. Teases possible region-wide bar tour to bring the music closer to more ALYSTANS in Luzon.

ALYSON has been carving out a distinct place in the local music scene over the years, becoming a go-to name in the indie scene for their signature take on both Japanese City Pop and the ever-so classic Manila Sound, and their dynamic, genre-spanning sonic library. Hailing from Quezon City, the jazz-pop, sharp-suited sensations made their mark with their debut album, DEFINITELY LOVE!, earning recognition from major music media outlets including Billboard Philippines and Billboard Georgia’s NEXT GEN campaign. With a sound and style distinctly their own, ALYSON continues to make waves both onstage and beyond the local scene—and their recent trip to Indonesia and Cebu is just the beginning of their global takeover.

The blue-suited players of ALYSON are Pio Ligot on vocals and rhythm guitar, Luis Uy on lead guitar, Marcus Mababangloob on drums, Miguel Erfe on bass and Easel Manes on keyboard.

Photo by Aldhy (@aldy_pranata), AXEAN Music Festival

AXEAN Music Festival in Bali, Indonesia was their first stop right after the release of their sophomore album “AFTER OURS”, where the band explored and incorporated the Manila Sound genre more and refined their music to be more conceptual and streamlined with a narrative akin to a “teleserye” or a “KDrama”. Before the international stage in Bali, the band showcased “AFTER HOURS” in the metro by mounting an album release party last July of this year. Right after all the frills and celebrations amongst the usual haunts, off the band flew to Indonesia and Cebu to bring the ALYSON experience to new eyes and ears.

“It was a dream to be able to play outside the Philippines,” shared by Marcus when asked about what the band felt performing abroad. “We’ve said it time and again how we draw from Japanese and even Indonesian music and the parallels we have with our own musical history, so being able to play on a stage that reflects that is a huge thing for us.”

In line with this, Mababangloob shared a lot of his discoveries while mingling with fellow ASEAN music lovers, artists and delegates at the AXEAN Music Festival. He states his surprise on how the PH scene and its neighboring islands have a lot in common on how the country values music, may it be local and international, coining this epiphany as a “spider-verse” of some sort. He also cites the reaction of the audiences in Bali as one of the most memorable experiences from the band as they also felt a warmth similar to their usual PH audience, which in turn allowed them to groove throughout their set.

As for the September Fever stage in Cebu, the drummer notices a significant difference yet a comfortability in the vibe as well. A “homecourt we never knew”, Mababangloob mentions. “I felt like a lot of the crowd knew our music and were fans despite us never playing there before.” Cementing the power of music to transcend beyond borders. The Cebu crowd enjoyed the ALYSON so much, there was even a fan that electrified the Cebuano audiences more by acting as an “unofficial” dance instructor for their set. “He got everyone dancing in a way that got us even more hype. A real treat,” he notes. “We really felt the love from everyone.”

From performing in two stages, both different in varying degrees yet both just as huge, in such a short amount of time, these milestones from the band have helped them re-affirm their musical identities and how their music creates a relationship with people, with Marcus stating the band’s desire to be a Filipino band not just contained to their own contexts as carriers of the OPM sound, but a Filipino band that is capable to connect to the greater South East Asian sphere, and beyond!

In line with pushing the envelope in terms of performances, an ALYSON Luzon-wide tour is currently in the works, to be made possible by the band’s record label Offshore Music.

The band will also be performing live at The Cozy Cove in Baguio on September 25. Tickets available here.

Support ALYSON everywhere and every time by streaming “AFTER OURS”, the sophomore album of ALYSON is out now on all digital streaming platforms.

ALYSON Socials

FB: https://www.facebook.com/AlysonPinas

IG: https://www.instagram.com/alysonpinas

YT: https://youtube.com/@alysonpinas

TT: https://www.tiktok.com/@alysonpinas

 

 

Automotive

20 sim racers head to TOYOTA GAZOO Racing Philippines Esports GT Championship 2026 National Finals on September 27

Catch the live event at the SMX Convention Center in Pasay City

Toyota Motor Philippines (TMP) is thrilled to announce the top 10 Sporting Class players and top 10 Junior Class players who will be competing in the upcoming National Finals of the 2026 TOYOTA GAZOO Racing Philippines Esports GT Championship.

This season, more than 400 sim racers across the country participated in the qualifiers, where players put in their fastest lap time around the Laguna Seca racetrack using the stock Toyota GR 86.

The TGR Philippines Esports GT Championship is the country’s premier sim racing tournament, which aims to provide aspiring racers with an avenue to kickstart their racing careers, as well as gather sim racing enthusiasts together to celebrate the thrill and joy of motorsports. Participants compete wheel-to-wheel in the game Gran Turismo.

Since it was launched in 2020, the TGR Philippines Esports GT Championship (formerly known as the GR GT Cup), has been pioneering competitive sim racing in the country, offering attractive prizes, and the opportunity to face against other sim racers in Asia and the world.

As a grassroots tournament, the series also bridges the gap between sim racing and real-life racing by transitioning winners of the competition to TMP’s premier racing series, the TGR Philippine Cup (formerly known as the Vios Cup).

Vying for a chance to make their racing dreams come true are the following players:

TOP 10 SPORTING CLASS BEST LAP TIME
1 Russel Reyes 1:40:258
2 Luis Antonio Moreno 1:40:862
3 Russo Gabriel Formoso 1:40:869
4 Corwin Josiah Mercado 1:40:966
5 Michael Vincent Velasquez 1:41:013
6 James Patrick Lopez 1:41:181
7 Victor Lorenzo Ancheta 1:41:184
8 Arlie Jophen Matubis 1:41:262
9 Stanley Golez 1:41:327
10 Kendrick Asensi 1:41:368

 

TOP 10 JUNIOR CLASS BEST LAP TIME
1 Enzo Ison 1:40:751
2 Zeph Marcelo 1:41:152
3 Alanzo Matteo Gonzaga 1:41:207
4 Chester Jordan Ilog 1:41:470
5 Luth Ifamy 1:41:472
6 Reign Alojado 1:41:820
7 Theo Gabriel Pangan 1:41:901
8 Jo Hashimoto 1:42:093
9 Prince Von Erico Contreras 1:42:350
10 Samuel Rey Icalia 1:42:559

 

Witness these players push their limits for the better at the National Finals happening on September 27 at Function Room 1, 2nd Floor, SMX Convention Center in Pasay City. The event is FREE and open to the public.

The champion of each class will be receiving a cash prize of PHP 100,000 and a slot in the Asia Finals, where they will go head-to-head with other sim racers in the region as part of Team Philippines. The runner-up of each class will be receiving PHP 75,000 and a chance at the third and final slot in Team Philippines. The final slot will be given to the runner-up with the higher number of points at the end of the National Finals.

Aside from the thrilling competition, fans can try their hand at the public sim racing rigs, and check out displays of the GR Yaris, GR Corolla, GR 86, and Tamaraw one-make-race car. The new GR merchandise lineup will also be available for purchase at the event for those who want to show off their brand love.

“The esports community has grown a lot since last season, where we only had 250 participants for the qualifiers. We are thrilled to see that there a more people getting into motorsports through sim racing, and we look forward to finding out who will be coming out on top at the National Finals,” shared First Vice President for Vehicle Sales Operations Elijah Marcial.

“We are especially encouraged by the strong participation in our Junior Category, which plays a vital role in our esports program by giving young racers an avenue to develop their skills, gain competitive experience, and pursue their passion for motorsports from an early age. Through initiatives like this, we hope to continue nurturing the next generation of Filipino racing talent,” Marcial added.

The 2026 TOYOTA GAZOO Racing Philippines Esports GT Championship National Finals will also be livestreamed on the TOYOTA GAZOO Racing Philippines Facebook Page.

For more information on the TGR Philippines Esports GT Championship and other TGR Philippines products and events, follow TGR Philippines on Facebook, Instagram, X, TikTok and YouTube.

 

Entertainment

James Arthur shares a message of inclusivity and self-worth with the new single ‘Waste My Tears’

Listen here / Watch the video here

Photo by Jack Alexander / Single artwork

It has been a phenomenal year of touring for James Arthur- having completed his first sold-out European arena headline tour, a sold-out UK and Ireland arena headline tour which included playing to 40,000 fans over two nights at The O2 London, followed by select major international festival dates. Several shows featured a special surprise – a brand-new song that has had thousands of fans swamping his socials, excitedly asking when it will be released. That moment is now here as James unveils the eagerly anticipated new single ‘Waste My Tears’. Listen HERE.

Hit play on ‘Waste My Tears’ and you can hear what has caused such excitement. The chorus could well be the biggest of his career: the gritty soul of James’s lead vocal simmering with heartfelt passion and determination, backed by an explosive production and radiant gospel backing vocals. Its message is just as powerful. Whatever you’re struggling with, it’s a rousing reminder that you – the real you – is important and valuable.

James says, “This song is about knowing your worth, letting go of the things that don’t deserve your energy, and moving forward without looking back. One of my favourite lines is, ‘Don’t stop being anything but yourself,’ and I hope that means something to you too.”

‘Waste My Tears’ is James’s first new solo track since releasing his ‘PISCES’ album last year. It continued his superstar status, ensuring that all six of his studio albums have reached #3 or higher in the UK – including the chart-toppers ‘Back From The Edge’ and ‘Bittersweet Love’. His album success is matched on the Official Singles Chart with two #1 smashes and a further five Top 10 hits –  all of which contributed to being awarded a BRITs Billion award in 2023 in recognition of receiving over a billion UK streams. James has also achieved massive success with 12 Platinum certified singles in the UK with ‘Impossible’, ‘Rewrite The Stars’, ‘Naked’, ‘Safe Inside’, ‘Falling Like The Stars’, ‘Lasting Lover’, ‘Train Wreck’, ‘Can I Be Him’, ‘Empty Space’, ‘Sun Comes Up’, ‘Car’s Outside’ and ‘Say You Won’t Let Go’.

But the triple BRIT nominee James is also truly an international icon, with 20 billion career streams to date, and 52 million physical worldwide sales. He has scored hits all over the globe, amassing countless Diamond, Platinum and Gold certifications everywhere from the UK to the US, across Europe, and in Australia.

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Lifestyle, News

Schneider Electric: Ensuring power security is the new competitive advantage for Philippine MSMEs

  • Power outages are becoming a year-round risk for Philippine MSMEs, driven by rainy-season storms and El Niño-strained grid reserves.
  • Schneider Electric says resilience is a competitive advantage, not a contingency plan — businesses that plan ahead recover faster and avoid losses a reactive approach can’t.
  • To support this, the APC Smart Uninterruptible Power Supply (UPS) On-Line by Schneider Electric uses double-conversion technology to deliver stable, reliable power for critical business equipment.

SE Philippines Grid Alerts

The next disruption to a Filipino Micro, Small, and Medium Enterprise’s (MSME) bottom line may not come from a slow sales day. It may come from five hours without power.

With recurring power alerts and weather-related disruptions continuing across the Philippines, staying operational is becoming a growing concern for MSMEs. During the rainy season, storms can trigger power interruptions, while El Niño-driven demand surges place additional strain on the power grid. According to the Institute for Climate and Sustainable Cities, even when supply is officially adequate, thin reserve margins worsened by plant outages and spikes in demand continue to leave the grid vulnerable to alerts and rotating brownouts,

Schneider Electric, a global energy technology leader with 190 years of innovation expertise, says the difference is not whether an outage hits. It is whether a business is ready when it does.

For a digitally-run MSME, unstable power no longer just means lost lighting, even a brief flicker can pause a transaction mid-checkout, delay an order, or damage the equipment behind both. It is a cost often noticed only after revenue is already lost.

Business Continuity Becomes a Competitive Advantage

Schneider Electric sees that risk differently. “Disruptions are becoming more frequent, and digital operations are now central to how MSMEs run their business,” said Harold Lim, Country Solutions Head, Schneider Electric Philippines. “That shift is changing how we think about resilience, it’s no longer a contingency measure. It’s becoming a competitive advantage.”

Point-of-sale terminals, routers, computers, servers, CCTV systems, and communication devices now run the daily operations of a typical MSME. Losing power to any of them, even briefly, can interrupt a transaction, corrupt data, or damage the hardware outright.

Schneider Electric addresses that exposure with its APC Smart Uninterruptible Power Supply (UPS) On-Line built for businesses running equipment that needs stable, reliable power.

The APC Smart-UPS On-Line by Schneider Electric uses double-conversion technology to deliver stable, reliable power for critical business equipment.

Unlike standby units that only switch to battery once the power goes out, Smart-UPS On-Line keeps equipment running continuously, filtering out voltage dips and surges before they ever reach connected devices, even outside a full outage. This is made possible by double-conversion technology: incoming power is continuously converted and cleaned before it reaches connected devices, rather than being passed through directly and only corrected after a problem occurs.

At full load, it provides around 4 to 6 minutes of battery backup — enough time for equipment to shut down safely or switch to another power source. This runtime gets longer as the load on connected devices decreases, guarding critical electronics and data against dangerous power conditions and disturbances. Multiple protected outlets mean several devices can stay covered at once.

Business owners can check battery and system status at a glance through an easy-to-read display. Available in either rack or tower design, it is well suited for point-of-sale terminals, computers, network equipment, servers, and other critical electronics that need protection during unexpected power disruptions.

“A UPS protects critical systems from outages and other power abnormalities that can damage sensitive equipment. It also gives businesses time to shut down safely in case of prolonged outages,” Lim added.

Resilience for Growing Businesses

As Philippine MSMEs continue to grow, reliable power protection is becoming part of what it means to run a resilient workplace: equipment safeguarded, downtime reduced, customer service uninterrupted. For Schneider Electric, empowering MSMEs means making business continuity practical and accessible, so business owners can focus on growth with protection already built in.

That commitment extends to its products. Schneider Electric also manufactures UPS units in the Philippines, which accounts for 60% of the company’s global UPS supply. The APC Smart Factory in Cavite positions the country as a key part of Schneider Electric’s global operations and puts locally made power protection technology within closer reach of Philippine businesses.

Additionally, the company is working toward Net Zero by 2050 by using better materials and helping customers use products longer through its “Use Better, Use Longer, Use Again” campaign. It also publishes detailed environmental data — like carbon footprint and recyclability — for 120,000 products online.

Learn more about Advancing Energy Tech on Schneider Electric Insights.www.se.com