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Entertainment

Jay R sounds off on MRLD-OC Records controversy, calls out industry power imbalance

The Filipino R&B icon urges young artists to protect themselves – an issue mirrored in his new film, Songs For Selina

Filipino R&B king Jay R recently weighed in on the controversy surrounding the exploitative practices in the local music industry.

This comes after young singer-songwriter MRLD broke her silence about her departure from OC Records, alleging unfair compensation and limited marketing support, with claims that have sparked broader conversations online about transparency, artist rights, and the power imbalance between emerging musicians and record labels.

[WATCH THE TRAILER HERE]

In a TikTok video posted over the weekend, Jay R spoke out about what he calls “uncomfortable truths,” reflecting on the dark side of the industry that has long placed new artists at a disadvantage.

“I’ve been in this industry for more than 20 years, and situations like this really do happen to artists,” Jay R said. “It has happened to me as well. When you’re starting out, you enter record deals and contracts without fully understanding what’s written in them. Sometimes, you don’t really comprehend the terms.”

He stressed the importance of legal advice and contract literacy for emerging musicians navigating the complexities of recording agreements.

“That’s why it’s important for artists to carefully read their contracts,” he added. “You should have a lawyer and review everything line by line. You need to understand exactly what you’re getting into. It’s a harsh truth about the industry, but it’s real. And honestly, I think it’s perfect timing that this issue has come to light. Artists need to be educated about what really happens behind closed doors.”

The short-form video post has garnered more than a million views on TikTok and Facebook, combined, fueling wider debate about accountability with the music business.

Jay R further expanded on the topic during the press conference for Songs For Selina, a music-themed film that he produced and stars in. While fictional in form, the project echoes the same tensions now being publicly discussed: creative ownership, exploitation, and the invisible pressures artists face behind the spotlight.

“Artists sometimes fear being marginalized or even blacklisted when they speak about the truth,” Jay R shared. “The story of Songs For Selina comes from real experiences: ours and the stories of fellow artists who have lived through these realities.”

Starring Rachel Coates and Mica Javier, Songs For Selina explores the power structures embedded in the music industry and the ethical dilemmas confronting artists as they navigate ambition, loyalty, and survival in a competitive landscape.

Whether by coincidence or design, the film’s themes now resonate with real-world conversation unfolding across the Philippine music scene—one that many believe is long overdue.

Songs For Selina opens in Ayala Cinemas nationwide beginning March 18, 2026.

 

 

 

Entertainment

P-Pop girl group VVINK explores the poetry of unspoken love in new single “Kailan Ka Aamin”

VVINK’s first release of 2026 reveals a softer sonic palette and a deeper creative involvement from the five-piece pop act

Rising P-Pop group VVINK has dropped “Kailan Ka Aamin,” which serves as the first pre-release single from their upcoming full-length debut album under FlipMusic. Written by acclaimed Filipino songwriter Nica del Rosario and produced by Julius James “Bojam” De Belen, the catchy pop ballad introduces a more intimate direction for VVINK in terms of musicality and songwriting.

A tender, coming-of-age confession, “Kailan Ka Aamin” was inspired by the Thai Girls Love (GL) pair “MilkLove,” and the playful dynamic fans have associated with them. It’s a story many listeners will instantly recognize: two people who clearly feel the same way, yet neither has gathered the courage to say it out loud.

[WATCH THE “KAILAN KA AAMIN” MUSIC VIDEO]

Instead of the usual perspective of someone secretly admiring a crush, the song unfolds from the point of view of the one on the receiving end: someone who senses the same feelings but is growing impatient with the silence. Drawing from the Filipino experience of being a “yearner,” the track embraces the emotional language of young love: hallway glances, teasing friends, unsent messages, and the courage slowly building toward confession.

Kailan Ka Amin was inspired by MilkLove, my favorite Thai GL pair who have starred together in various GL series such as 23.5 and Whale Store XOXO,” Nica del Rosario, the song’s composer, explains. “Their Pinoy fans have playfully equated the question, “kailan ka aamin?” with their dynamic after one interview when they were asked what they would do if they liked someone. Milk said that she doesn’t have the nerve to confess, while Love said she won’t confess either and will just wait for the person to make a move. These remarks led their fans to jokingly say that they’re playing a game of “tagu-taguan ng feelings. (hiding feelings in English).”

Production and collaboration

Sonically, “Kailan Ka Aamin” weaves bubblegum pop influences with ‘80s-inspired production and effervescent melodies. The production balances warmth and restraint, allowing VVINK’s delicate vocal style to take center stage while building a wistful atmosphere that mirrors the song’s emotional anticipation. From its soft opening to its sweeping chorus, the bop carries a dreamlike quality that sets it apart from its previous releases.

“Working with Sir Jumbo De Belen and Ms. Nica del Rosario was such a great experience for us,” shares VVINK in a press statement. “When we first heard the demo, the emotion was already very strong. They really guided us through the meaning of the lyrics, so we understood the story before recording. The demo felt personal, but the final version feels complete. It still has the same heart, but now it sounds more VVINK.”

Beyond the recording itself, the five-member powerhouse maintained a sense of ownership carried throughout the entire production process. With encouragement from the production team, the female pop group contributed ad-libs and interpretive nuances that ultimately define the track’s character. They also stayed closely involved in other aspects of the behind-the-scenes work, including contributing ideas for concepts, styling, and even vocal arrangements during studio sessions.

Music video

“Kailan Ka Aamin” arrives alongside a visually striking music video helmed by Nolan Bernardino with Dondi Narciso. Stripping the concept down to its barest essentials, the visuals highlight both performance and atmosphere, presenting VVINK’s performance against both an urban skyline and a dreamlike forest setting.

According to Bernardino, the concept centers on showcasing the group’s natural charisma and beauty. “The music video is as simple as it gets,” Bernardino reveals. “Here we highlight a different side of the girls. This video is all about beauty: the beautiful vocals and performance, with a very pleasant but dynamic choreography. It is a performance that you just want to watch over and over again.”

For VVINK, filming “Kailan Ka Aamin” was indeed a memorable experience. “Working with Direk Nolan Bernardino and Direk Dondi Narciso has always felt light,” the Filipino femme alphas reveal. “They make collaboration fun and creative, allowing everyone to freely share ideas while still feeling guided and aligned.”

As the group’s first release of the year, “Kailan Ka Aamin” marks a new era for VVINK, ushering in a period of intentional artistic involvement and willingness to explore new sonic and storytelling approaches.

VVINK’s “Kailan Ka Aamin” is out now on all digital music platforms worldwide via Flipmusic. Watch the music video here.

 

 

Entertainment, Lifestyle

Movement, Memory, and Migration: Exploring the Wider Impact of Paglalakbay

Migration has long been an important part of the Filipino experience. As an archipelagic country shaped by a long history of maritime travel, crossing the seas—for exploration, trade, work, or survival—has greatly influenced Filipino identity through the generations. Within this broader cultural background, Paglalakbay, an upcoming ballet by Ballet Philippines, explores themes of journey, displacement, and the search for belonging.

Although the production is inspired by the early seafaring traditions of island communities, its concept reflects a continuing story that reaches into the present. Today, the Philippines remains one of the world’s leading sources of overseas workers, with millions of Filipinos living and working abroad. This widespread migration has created a large diaspora, forming strong connections of family, labor, and cultural exchange across different parts of the world.

With the dancers during the press launch

Migration has deeply shaped the Filipino identity, from the early seafaring journeys of island communities to the present-day movement of Filipinos working abroad. This long history of crossing seas reflects the resilience and determination of Filipinos in search of better opportunities and a sense of belonging. Paglalakbay by Ballet Philippines highlights this continuing story, showing how migration has connected Filipino families, cultures, and communities across the world, while still keeping strong ties to the Philippines.

In this sense, migration is not merely a historical phenomenon but an ongoing social reality. The emotional and cultural dimensions of leaving home—separation from family, adaptation to unfamiliar environments, and the preservation of identity across distance—have become deeply embedded in the national consciousness.

Paglalakbay approaches these themes through the language of dance rather than direct narrative. The libretto is intentionally structured as a poetic framework rather than a linear historical account, allowing movement to articulate experiences that are often difficult to express through words alone. Through choreography, gesture, and spatial composition, the ballet reflects on the physical and emotional dynamics of departure, endurance, and return.

Choreographer Mikhail Martynyuk interprets these ideas through shifting ensemble formations and fluid patterns of movement that suggest both collective journeys and individual experiences. Composer Vincenzo de Leon’s score creates an atmospheric sonic environment that evokes the vastness of the sea—a recurring symbol in both the historical and contemporary narratives of migration. Visual artist Leeroy New contributes a stage design that gestures toward landscapes shaped by wind, stone, and horizon, reinforcing the sense of movement across space and time.

Within this framework, Paglalakbay can be understood not only as an artistic production but also as a cultural reflection. The ballet gestures toward the continuity between ancient patterns of mobility and modern forms of transnational movement, highlighting how the idea of journey remains central to Filipino life.

The work also carries a more personal dimension. The production’s co-producer notes that the project was partly inspired by reflections on family and intergenerational memory, particularly the ways in which heritage and identity are transmitted through lived experience. In this regard, the ballet’s exploration of migration becomes both collective and intimate, acknowledging the many ways individuals carry their sense of home across distance.

Ultimately, Paglalakbay proposes that movement—whether across oceans, cultures, or generations—is fundamental to the human story. By engaging with migration as both historical legacy and contemporary reality, the ballet invites audiences to reflect on the enduring relationship between place, memory, and identity within the Filipino experience.

“PAGLALAKBAY: The Journey of the Sea People” runs from April 10 to 12, 2026, at the Theatre at Solaire. Tickets are available via www.ticketworld.com.ph, www.ballet.ph, and the Solaire Box Office.

Ballet Philippines (BP) is the Philippines’ premier professional company for classical and contemporary dance and the first resident company of the Cultural Center of the Philippines (CCP). It was established in 1969 together with the CCP during a significant period in the nation’s cultural development. For more than five decades, BP has helped shape modern Filipino identity through creative productions that combine classical technique with uniquely Filipino movement and storytelling.

With a repertoire of over 400 works, Ballet Philippines continues to showcase Filipino stories on the international stage. As a cultural representative of the Philippines, BP lives out its 56th season theme, Our Stage, The World, promoting local artistry while connecting with audiences around the globe.

 

 

 

 

 

 

 

Entertainment

‘Songs For Selina’ tackles the exploitative nature of the record label industry

The film’s arrival coincides with the growing debate in the local music industry about exploitation, unfair treatment, and sexism

Songs For Selina, an independent music-themed drama about two musical soulmates whose friendship was tested by the cutthroat music industry, will officially premiere in select cinemas across Ayala Malls starting March 18, 2026.

The timing of the release proved strikingly timely after a young female artist’s revelation about the exploitative practices and unfair treatment of the record label industry went viral.

[WATCH THE TRAILER HERE]

Jay R, who serves as the film’s executive producer, describes Songs For Selina as both a love letter and a critique of the industry that he loves, advocating for reforms that ensure artists receive respect, fairness, and rightful compensation for their work.

“We hope Filipino audiences take away the importance of discernment—being mindful of what you wish for and why,” the king of R&B adds. “Not everything that glitters are gold, and every opportunity comes with a cost. At its core, the film is a reminder to stay anchored in your values and moral compass, especially when navigating ambition and success. Knowing what you’re entering a career for—and holding on to who you are—matters deeply in staying whole and intact through the inevitable highs and lows of the journey.”

The film stars Mica Javier and Rachel Coates, as Selina and Maya, alongside a powerhouse ensemble from stage, music, and television: Rachel Alejandro, Audie Gemora, Nicole Laurel, Leanne Mamonong, Gian Magdangal, Gabby Padilla, and Jay R.

Having spent much of her life pursuing music and entertainment, lead star and co-producer Mica Javier notes that the story of Songs For Selina holds a special place for her, as it mirrors aspects of her journey as an artist.

“The film explores the highs and lows artists experience while chasing their dreams, and the sacrifices that often come with that pursuit,” Mica explains. “I joined this venture because I believe these stories deserve to be told with honesty and heart. It was also important to me to help create a platform that showcases Filipino creatives to a global audience.”

Prior to its Philippine release this month, Songs For Selina first made waves in the US, after it got picked up last year by Amazon Prime US and Tubi, two of the biggest streaming platforms for movies and serialized content.

Songs For Selina is brought to you by Homeworkz Entertainment and is distributed in the Philippines by Black Cap Pictures.

 

 

 

Entertainment

RAMONA fires back at gossip culture with explosive debut single “GAGA”

RAMONA makes a splashing debut as a pop star provocateur, a rebellious troublemaker, and a fearless outsider. As a daring new voice in modern OPM, she comes off as a refreshing anomaly in an industry that often rewards conformity over disruption. From here, the world she builds only gets louder, more vivid, and unmistakably punk.

Just in time for Women’s Month, RAMONA unleashes “GAGA,” a sharp-witted commentary on celebrity gossip and fake news culture. Her explosive debut single exposes how misinformation distorts truth in the digital age. Rather than retreat from the noise, RAMONA confronts it head-on, transforming public scrutiny into a weapon of her own.

Instead of debunking public accusations, RAMONA reclaims the narrative with biting wit and defiant sassiness. Labels often thrown at outspoken and strong women such as “pa-victim,” “malandi,” and “toxic” are reframed as hollow buzzwords, stripped of their intended sting through repetition and satire. The result is a rallying anthem that challenges the machinery of gossip and the digital mob mentality that fuels it.

“People talk, people guess, people decide what’s true before they even know anything,” RAMONA explains. “GAGA just throws it all back.”

Produced by Tim and Sam Marquez of One Click Straight, the track proves that RAMONA is here for the long haul. Driven by grungy guitars, sing-along chants, and manic, driving rhythms, “GAGA” blends abrasive textures with irresistible pop instincts. But beneath the distortion and defiance lies something more important: RAMONA, reclaiming her voice, turns rumor into resistance and accusation into empowerment. As RAMONA describes her debut work, “GAGA” is “bold, emotional, a little rebellious, a little messy, and not pretending to be perfect.”

With the release of her debut single, RAMONA makes it clear that in an era obsessed by gossip cycles and fake news narratives, she refuses to be spoken for. She would rather speak back.

RAMONA”s “GAGA” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

 

Entertainment

Harry Styles releases highly anticipated new album KISS ALL THE TIME. DISCO, OCCASIONALLY.

GRAMMY Award®-winning global superstar Harry Styles has released his highly anticipated new album KISS ALL THE TIME. DISCO, OCCASIONALLY. via Erskine/Columbia Records. Accompanying the album is the music video for “American Girls,” directed by the GRAMMY Award®-winning James Mackel.

KISS ALL THE TIME. DISCO, OCCASIONALLY. is the fourth studio album from Harry Styles and first music release since 2022’s record breaking album Harry’s House, which took home the top prize for Album of the Year at the 2023 Grammy Awards. The new 12-track album was written by Harry and executive produced by Kid Harpoon, and includes the #1 single “Aperture”, see full tracklist below.

To celebrate the album release, Netflix is bringing fans the very first live performance of the new album on Sunday March 8th at 7pm GMT, tune in to watch the show he performed Friday March 6th in Manchester, England in full globally.

Harry has also launched KISS ALL THE TIME. DISCO, OCCASIONALLY. pop-up shops around the world in partnership with American Express with 16 locations in Amsterdam, Atlanta, Berlin, Chicago, Houston,  London, Los Angeles, Miami, New York City, Paris, Phoenix, Rome, Seattle, Sydney, Tokyo, and Toronto. The pop-up gives fans a chance to experience and celebrate Harry’s new album KISS ALL THE TIME. DISCO, OCCASIONALLY.  together with special activations and unique merchandise designs, additional information HERE.

Next Saturday, Harry will return to NBC’s Saturday Night Live as host and musical guest for the second time on March 14th. He will make his long awaited return to the global stage with a seven city residency in 2026. Promoted by Live Nation, Together, Together will include 67 stops in Amsterdam, London, São Paulo, Mexico City, New York, Melbourne, and Sydney from May through December. Highlights on the run include 30 shows at New York’s Madison Square Garden and a six night run at Wembley Stadium. Special guests include Robyn, Shania Twain, Fcukers, Jorja Smith, Jamie xx, Fousheé, and Skye Newman across select dates.  Please visit hstyles.co.uk/tour for a full list of dates and more information.

KISS ALL THE TIME. DISCO, OCCASIONALLY. TRACKLIST

  1. Aperture

Music & Lyrics: Harry Styles & Kid Harpoon

Produced by: Kid Harpoon

  1. American Girls

Music & Lyrics: Harry Styles, Kid Harpoon, Tyler Johnson

Produced By: Kid Harpoon & Tyler Johnson

  1. Ready, Steady, Go!

Music & Lyrics: Harry Styles, Kid Harpoon, Tyler Johnson

Produced By: Kid Harpoon, Additional Production By: Tyler Johnson

  1. Are You Listening Yet?

Music & Lyrics: Harry Styles, Kid Harpoon, Tyler Johnson

Produced By: Kid Harpoon & Tyler Johnson

  1. Taste Back

Music & Lyrics: Harry Styles, Kid Harpoon & Tyler Johnson

Produced By: Kid Harpoon, Additional: Tyler Johnson

  1. The Waiting Game

Music & Lyrics: Harry Styles, Kid Harpoon, Tyler Johnson

Produced By: Kid Harpoon & Tyler Johnson

  1. Season 2 Weight Loss

Music & Lyrics by Harry Styles, Kid Harpoon & Tyler Johnson

Produced By: Kid Harpoon

  1. Coming Up Roses

Music & Lyrics: Harry Styles

Produced by: Kid Harpoon

  1. Pop

Music & Lyrics: Harry Styles, Kid Harpoon & Tyler Johnson

Produced By: Kid Harpoon & Tyler Johnson

  1. Dance No More

Music & Lyrics: Harry Styles & Kid Harpoon

Produced By: Kid Harpoon

  1. Paint By Numbers

Music & Lyrics: Harry Styles, Kid Harpoon, Tyler Johnson

Produced By: Kid Harpoon & Tyler Johnson

  1. Carla’s Song

Music & Lyrics: Harry Styles & Kid Harpoon

Produced By: Kid Harpoon

Listen to the album here

Entertainment, Lifestyle

Fans of BTS can discover secret rewards on Google Search before the new album Arirang is released

If you’ve been counting down the days until March 20, you’re definitely not the only one. The comeback era of BTS for their album ARIRANG is now in full swing, and while fans eagerly await the new lead single Swimming, Google has turned that excitement into an interactive game.

The BTS Scavenger Hunt has returned on Google Search, serving as a fun digital tribute to the ARMY fandom. For those who remember the famous purple balloon Easter egg from years ago, this version is like a 2026 upgrade. It’s an interactive experience that allows fans to unlock exclusive content and rewards for each member simply by doing what they already do—searching for the group online.

Joining the quest is really simpler than learning the choreography for “Dynamite.” Just type “BTS” into the Google Search bar. You’ll notice a small bottle (looking very much like a message across the sea) on the bottom right of your screen. Click it, and you’re in.

The hunt is a series of trivia questions and puzzles that test your knowledge of the group’s decade-long journey. It’s everything from their first Billboard No. 1 to lyric-based emoji puzzles that might leave you feeling a bit like a “Hooligan” if you get them wrong.

Every quest solved brings you closer to the highly anticipated ARIRANG album. As you navigate the scavenger hunt, you’ll unlock 14 collectible cards—exclusive tracklist art featuring the actual handwriting of the members.

Get your first look at the tracklist through the members’ own pens—from the bold steady lines of Jungkook’s “SWIM” to the personal touch of Jin’s “Merry Go Round.” These aren’t just rewards; they are the first pieces of the ARIRANG puzzle. Start your hunt before they’re gone.

Don’t run through it all at once! While the hunt is ongoing now, Google is staggering the excitement. Right now, you can start your initial quest to find all 14 Rewards tagged as “Your love songs”. On March 9 & March 16, new “sealed” quests will unlock, giving you more to find as we get closer to the big day. Then on March 20 comes the final payoff as the album officially drops.

Whether you’re a student taking a break from the “blood, sweat, and tears” of studying or a professional secretly fangirling during a meeting, this quest is a fun way to pass the time while waiting for BTS THE COMEBACK LIVE on Netflix.

Want to discover the hidden melody? Simply search for BTS on Google Search and start the scavenger hunt yourself!

 

 

Entertainment

Shakira and Beéle release new single ALGO TÚ

GRAMMY® and Latin GRAMMY® Award-winning artist Shakira and rising Colombian star Beéle have released their new track ALGO TÚ. Produced by A.C., Flambo, Shakira, and Beéle, the track is out now via Sony Music Latin/5020 Records.

Shakira and Beéle debuted the track live this past weekend at Mexico City’s Zócalo, marking the largest event held there in history. Performing “ALGO TÚ” for over 400,000 fans, Shakira and Beéle electrified the city square and built incredible hype for the song’s release. Their range of styles blend perfectly on the track, delivering an incredible Latin & Afro-fusion hit with a nod to autochthonous instruments and sounds such as the Colombian gaita (pan flute), evoking the city of Barranquilla where both Shakira and Beéle were born. This is the second collaboration between Shakira and Beéle, who previously worked together on a 2025 version of her global hit, “Hips Don’t Lie,” which featured Ed Sheeran and Beéle for the Spotify Anniversary celebration of her 2005 album Oral Fixation, Vol. 2.

This concert has only built more excitement for Shakira’s upcoming return to Copacabana Beach in Rio de Janeiro, where she will take the stage for this year’s Todo Mundo No Rio concert on May 2nd. This free show will be a vibrant spectacle featuring Shakira playing her greatest hits across her entire career, continuing her epic world tour throughout 2026.

The release of “ALGO TÚ” comes on the heels of Shakira being crowned by Billboard as having the “highest-grossing Hispanic tour of all time” with her recent Las Mujeres Ya No Lloran World Tour, achieving a gross revenue of $421.6 million, inclusive of 82 stadium shows all across the US and Latin America with over 3.3 million people in attendance.

Building on this exciting year, Shakira has just been announced as a 2026 nominee for the Rock & Roll Hall of Fame. This exciting honor will be voted upon and then announced during the 2026 Rock & Roll Hall of Fame induction ceremony.

 

Entertainment

James Reid hits the road with “Traffic” music video

Directed by Jonathan Tal Placido, with creative direction by Issa Pressman, the visual narrative captures the frustration of driving around the city while stuck in heavy traffic

James Reid turns urban frustration into inspiration in the music video of “Traffic,” his latest single under Careless Philippines and Sony Music Entertainment. Caught in the gridlock of Metro Manila, the video finds James driving around the standstill roads, visibly stressed and tired, yet holding on to the thought that the moment, like traffic itself, will soon pass.

The music video was helmed by Jonathan Tal Placido of Philippine-based production house Toothless, with creative direction by Issa Pressman. The concept revolves around the reality of being stuck in traffic, while also capturing the horrors that Filipino commuters and drivers had to endure on a daily basis while navigating the capital’s fast-paced grind.

“Traffic” marks the first official 2026 single of James Reid, following last year’s release of “You Deserve It,” which was featured on Penshoppe’s All Together Now campaign. The catchy pop tune was written by James Reid, along with Luke April and Nhiko Sabiano.

“At the time, I wanted to write a song that’s relatable to Filipinos in terms of concept and sound,” James reveals. “It just so happened that we all experienced traffic that day, and it felt like the song wrote itself after we locked in on that idea.”

The track also reflects James’ evolving artistic direction, molded by his ongoing exploration of his Western and Filipino roots. With the help of his collaborators, Luke April and Nhiko Sabiano, “Traffic” gives listeners a taste of James Reid’s more accessible, homebound sound, without sacrificing his globe-trotting influences.

The award-winning multi-hyphenate adds, “We aimed to create a classic upbeat OPM track with a fresh twist—nostalgic at its core, but layered with unique sounds and ear candy to give it a distinct edge.”

James Reid’s “Traffic” is out now on all digital music platforms worldwide via Sony Music Entertainment. The official music video drops on Friday, March 6, 2026, at 6:00 P.M. on James Reid’s official YouTube page.

 

Entertainment

All Of The Noise 2026 expands to 3 days, amplifying Filipino and Asian Music on the global stage

Live performances, documentary premieres, networking sessions, and industry talks converge in TRIN’s most expansive edition yet.

The Rest Is Noise (TRIN), a music curation and events production outfit based in the Philippines, returns with the fourth edition of All Of The Noise 2026. The showcase and conference event will take place in three venues across Metro Manila: Astbury Makati (April 17 and 19), Sari-Sari in Makati City (April 17 and 19), and 123 Block in Mandaluyong City (April 18).

This year’s edition will feature dynamic, multi-format music programming centered on community building, cross-cultural collaboration, and visibility, positioning Filipino and Asian music as vital forces within the global creative economy.

“This year’s programming is more expansive than ever, growing from two days to three, with each day offering a different entry point into the experience and live music happening throughout,” shares Mary Christine Galang, co-founder and creative director of The Rest Is Noise PH. “We’re welcoming more than 20 artists this year, including Filipino artists from across the country as well as international acts from across Asia-Pacific.”

Originally conceived as a year-end, midsized music festival, the fourth iteration of All Of The Noise 2026 brings together live performances, talks and panel discussions, documentary screenings, a music market, networking, and private studio sessions into one shared experience.

“We want people to come in not only to discover artists, but to engage with the ideas, conversations, and communities that shape the music around them,” Galang adds. “That has always been at the core of what we do at TRIN.”

Live music programming

The live music showcase will run in multiple venues across three dates, with highly anticipated performances featuring New Zealand’s Phoebe Rings, Indonesia’s Grrrl Gang, Arash Buana, and Gavendri, Singapore’s Shye and Pines, and Taiwan’s Heng Jones.

Other performers include BP Valenzuela, Fitterkarma, SOS, Ourselves the Elves, Elijah Canlas, DJ Love (Davao), VVINK, Playertwo, fern, August Wahh, School Girl Classic (Cebu), Delinquent Society (Davao), Alyson, Novocrane, Amateurish (Baguio), Carousel Casualties, Magiliw Street, and kyleaux.

Music Conference

All Of The Noise 2026 announces the return of its flagship conference program, Cut Through The Noise. Designed to address the evolving needs of the local and regional music sectors, the program will feature panel discussions and keynote presentations addressing the most pressing trends, challenges, and opportunities shaping today’s music ecosystem.

Each panel will have a moderator and resource speakers who will discuss each respective topic, providing insights and expert opinions. From market development and cross-border collaboration to innovation, policy, and audience growth, Cut Through The Noise aims to equip stakeholders with the knowledge and networks necessary to navigate an increasingly competitive global landscape. Panelists and speakers will be announced in the coming days.

The topics include:

  • Inside a Thriving Regional Scene: What the music community in Baguio City tells us about decentralization, crossover, and cultural sustainability
  • Curating Across Cultures: Programming music festivals in Asia’s diverse markets
  • Dissecting Diary Ng Panget soundtrack: A poptimist’s dream
  • Indie Cred vs. Commercial Pressure: how labels grow without losing trust, taste, and cultural capital
  • Unlocking the potential of Southeast Asia: findings, insights, and discussions in the world’s next music powerhouse

 Music-themed Documentary Screenings

This year, All Of The Noise 2026 will feature local and international music documentaries that intersect music, movements, culture, and politics through its Echoes of the Noise program. This year’s film selection includes the international premiere of Alulu Kuo’s Elephant Gym: More Real Than Dreams, which captures the band’s journey as they faced a potential breakup before a world tour and explored their unique musical world. The Philippine screening will also include a talkback with Elephant Gym’s very own Tell Chang.

Other music documentaries that will be screened include Nolan Bernardino’s Rosas: The Song. The Journey, which became an anthem of hope during the national elections in 2022; and Frazier de Mesa’s This is Hannah+Gabi, which explores the beloved band’s thoughts and process in music-making and performing from the perspective of the filmmaker.

Culture and Community

“Beyond the performances, we’re especially proud of this year’s curation of documentary films, cultural discussions, and community-driven moments that create space for deeper exchange,” Galang explains. “AOTN 2026 is about presenting independent music as something immersive, thoughtful, and deeply connected to culture and community. It’s also about underscoring the Philippines as an important music market—both in the way we understand ourselves and in the way we connect to the rest of the world.

All Of The Noise 2026 is also supported by its international and local music partners ONErpm, Symphonic Distribution, Astbury, 123 Block, Sari-Sari, Nyou Consultancy, and Guevarra’s.

Ticket Details

Tickets are available via allofthenoise2026.helixpay.ph with the following packages:

PHP 999 – 3-day pass: (access to Days 1, 2 & 3), inclusive of all programs

PHP 400 – Day 1 (access to April 17 program – Friday), inclusive of all programs

PHP 700 – Day 2 (access to April 18 program – Saturday), inclusive of all programs

PHP 400 – Day 3 (access to April 19 program – Sunday), inclusive of all programs