Entertainment

The distribution giant’s first Philippine documentary will screen in multiple cinemas across US and Canada on April 24, 2026

Abramorama has obtained the North American theater rights to film Eraserheads: Combo On The Run, which is the distributor’s first Philippine documentary. This is a historic first.

After a successful international festival run, the documentary film becomes part of Abramorama’s lineup of high-profile music films, which also includes Radiohead’s Meeting People Is Easy (Grant Gee), The Beatles: Eight Days (Ron Howard), and The Sparks Brothers (Edgar Wright).

The acquisition will be marked by an official event at SXSW 2026 next month to celebrate its forthcoming theatrical release in Canada and the United States.

Directed and produced by Maria Diane Ventura, Eraserheads: Combo On The Run tells the story of the Philippines’ most influential band, tracing their meteoric rise from their formation in UP Diliman to becoming a defining voice of a generation, their painful breakup, and their eventual resurgence years later.

Set against the backdrop of the Philippines’ shifting socio-political landscape, the film situates the band’s journey within a country grappling with deep political polarization, reflecting how their music and story became intertwined with the nation’s cultural memory.

Blending intimate interviews, never-before-seen archival footage, and unfiltered behind the scenes access, the film explores fame, fracture, growth, legacy, and the enduring bond between the band and generations shaped by their music.

“I’m incredibly excited about this partnership with Abramorama,” said director and producer Maria Diane Ventura. “They are the perfect home for this film, not just because of their legacy in music documentaries, but because they understand stories that resonate on a deeper cultural level. While the film is rooted in the Eraserheads’ music, it ultimately speaks to division, reconciliation, and healing during a turbulent political moment. Those themes feel especially relevant today, not only for Filipinos, but for audiences everywhere.”

Ventura adds, “It’s also deeply important to me that this film helps reintroduce the band and their music to a new generation, and that it creates space for Filipino stories, nuance, and complexity to be seen with greater depth. Filipinos are part of so many communities around the world, and I hope this film allows people to see us more fully, while also reminding audiences more broadly how powerful it is to feel seen in culture. When people recognize themselves in a story, it creates empathy, connection, and a sense of shared humanity across communities. Ultimately, this film is about how stories and music can bring us closer to one another, even across divides and differences.”

The film has already achieved a number of significant firsts, such as being the first Filipino music documentary to be presented at San Diego Comic-Con and the first Filipino film to be given the broadest theater distribution in the Philippines by Warner Bros.

It has also received recognition on the international festival circuit, including Doc Berlin, the Liverpool Film Festival, and the 44th Annual Hawaii International Film Festival, where it screened as part of the official Spotlight on the Philippines program and won Best International Documentary at the Ierapetra International Feature Documentary Festival in Greece.

Visit eraserheadsfilm.com for announcements, updates, and ticket details.

Trailer:

https://youtu.be/HlAt0p2kQbM?si=cVCbqXSj-mMRnhnF

Sharper in tone and stronger in stance, Ore transforms cultural memory and adulthood into abrasive pop anthems

ena mori maintained her status as one of Asian pop music’s most captivating creative powers in 2025. With high-profile festival appearances, sponsorship collaborations, and an increasing global fan base, the avant-pop shapeshifter ushered in the new year with the release of her six-track EP, rOe. Inspired by emotional sensitivity and self-control, rOe demonstrated Ena Mori’s capacity to transform vulnerability into an engrossing pop fantasy. As anticipated, the EP received overwhelmingly positive reviews from critics and fans, making it onto a number of year-end lists worldwide.

Today, February 27, 2026, ena mori completes that orbit with Ore, a companion piece consisting of six tracks that both reflects and challenges the original. The two projects, which were initially intended to be part of a single body of work, diverge in tone and aim. rOe’s work emphasizes stronger declarations and sharper textures, while the former retains emotional nuance.

“As I worked on new songs, I started to feel it would be a better representation if I separated them into two,” the Heartbreak Generation singer-songwriter reveals. “With Ore, I wanted this record to have an edge—a rough texture in its feel—while still sharing the soft and delicate feeling of rOe. Ore is kind of like a bigger sister to rOe: more direct and opinionated, rougher and grittier in appearance, and not afraid to speak her mind.”

Conceptually, Ore traces ena’s passage into adulthood, confronting emotions she once avoided and approaching them with greater clarity and resolve. The EP reflects on independence, uncertainty, and the process of defining oneself outside inherent expectations. In shaping chaos into form, the acclaimed indie pop star found herself quietly repairing—healing to an extent.

As a Filipina-Japanese straddling cultures, ena locates Ore within a deeply personal geography. Cultural identity remains central to the record, so intact and specific, it cuts through the fiber of every track in the EP.

“As I listen back to the record, I realize that it captures a very Asian experience,” ena recounts. “Growing up in an Asian household, surrounded by its values, taboos, societal pressures, and hidden passions, has shaped the way I perceive the world. Navigating my twenties between two cultures—sometimes similar, sometimes polar opposites, braided together.” The EP carries the ambient imprints of her life as is: rainstorms, rice cooker chimes, arcade noise, hot wind against a truck horn.

Produced in close collaboration with Tim Marquez, Ore emphasizes abrasive, disjointed soundscapes over the fluid softness that defined rOe. The project was mixed by Sam Marquez and mastered by Emil Dela Rosa, whose finishing touches preserve both its sharpness and its air.

“Tim and I gravitated toward sounds with humps and bumps—textures that feel tactile in an auditory way. Some might even find them unpleasant or irritating. But that friction felt honest.”

Across its six tracks, Ore balances dance-oriented momentum with reflective lyricism. The arrangements are lean but deliberate, allowing percussive elements and synth lines to carry emotional weight without overwhelming the vocal center. It’s club music without the need to feel escapist: to be specific, it’s music for dimly lit rooms, for underground spaces where self-discovery feels more communal than solitary.

The narrative of the EP is anchored by the lead track “19 Underground.” The song, which was written from the perspective of a nineteen-year-old adolescent attempting to navigate life on her own, depicts her artistic and personal awakening, but most importantly, the year she ultimately discovered her tribe. According to Ena, “I picked it as a focus track because it conveys the idea that nothing originates from a single soul.” Even if you compose music alone, it is still a collective endeavor. We love each other, we hurt each other, and we encourage one another. The great human trade is that friction.

Tracklist – Ore

1. Funny
2. Insomnia
3. Ore
4. 19 Underground (FOCUS TRACK)
5. La Loba
6. Pomegranates

ena mori’s Ore is out now on all digital music platforms worldwide.

The rising rapper delivers a heavy-hitting anthem about risk, resilience, and building a legacy that lasts

Barq, the rap moniker of Arkin Magalona, delivers another knockout punch with the release of his latest single, “TUMATAK,” under Sony Music Entertainment. The heavy-hitting track chronicles his journey as a young artist who honored the grind with the determination to make it in the industry.

“It’s all about leaving your mark on the world,” shares the rookie hip-hop act. “No matter what you’re doing in life, you should always aim to create something that lasts, something worth remembering. It’s a reminder that impact isn’t just about fame or status; it’s about legacy.”

Propelled by thunderous production and razor-sharp lyricism, “TUMATAK” is an inspiring jam that shows a more reflective, intimate side of Arkin. It debunks some pre-conceived notions about his principles and way of life, while also unlocking his potential as a storyteller.

Raised among figures who overcame adversity to reach remarkable heights, Barq speaks directly to the relentless dreamers who had to endure doubt, pressure, and expectations their entire lives but managed to be committed to their professional and life goals without the need for shortcuts.

“I wrote the track from a very personal place,” he shares. “It reflects where I am right now: not just as an artist, but as a person.”

The song was recorded at Doppla Studio and produced by longtime collaborator Denz A.K.A D. Vaughn, who helmed the track’s commanding sonic template. Inspired in part by the energy of “Gold On My Teeth” by ClicKlak and Isaiah Falls, the production blends booming beats with textured samples, including a vocal element from BARQ’s previous collaboration “Career High,” featuring Manila-based creative Migswell.

“It’s the same Barq, but a different bite,” the youngest son of the late Francis Magalona admits. “I’m like a fusion restaurant serving multiple flavors: it’s up to you to pick from the current or old selections which food you would choose to try out.”

Barq adds, “Every time you release something with your name and your truth on it, that’s a risk. You’re putting your heart out there for people to judge. But growth requires risk. Legacy requires risk.”

Barq’s “TUMATAK” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

The rising P-Pop group makes a confident first impression with a bop about girlhood and self-worth

Emerging as one of the most prominent P-Pop exports from Davao City, Hara is steadily gaining attention for their commanding stage presence and undeniable charisma. The six-member girl group, whose name is derived from a pre-colonial term that means “beauty” and “strength,” carries their identity with intention. They are currently managed by Unique Music Management, led by Paul Widger, best known for his work with Craig David.

“Being the first 100% homegrown P-pop group from Davao under Unique Music Management is something we’re really proud of,” shares the breakthrough P-Pop group. “They believed in our potential and helped guide us creatively while still allowing us to express stories and emotions. Their mentorship pushed us to aim for high quality in our performance, sound, and overall artistry.”

Hara recently secured a recording deal with Sony Music Entertainment, joining the label’s growing roster of P-Pop acts that includes SB19, KAIA, YARA. Marking their first team-up with the global music company, the Davao-based alphas unveiled the Eurohouse-flavored pop track “My Love” as their pre-debut single.

Buoyed by subtle piano chords and sophisticated grooves, “My Love” transports the listeners into clubland fantasia, where suave, confident vocals and magnetic dance-pop production create a mesmerizing sonic experience. The track was produced, mixed, and mastered by Pao Lofranco and Aldy, who worked closely with the group to bring their vision to life.

“The production and arrangement were carefully crafted to match the emotions of the lyrics,” Hara explains. “We worked closely with our producers and creative team to make sure the sound complemented the story of the song. From the instrumental to the vocal layers, everything was arranged to highlight vulnerability while still sounding polished and modern.”

According to the six-piece act, “My Love” was written as a nod to girlhood: a transitory but important phase in life where women experience loving deeply, feeling things intensely, and sometimes giving one’s heart to people who don’t deserve even a fraction of it. “The song talks about heartbreak but also about realizing your worth. It’s about women learning that not everyone is worthy of their love and that it’s okay to walk away. At the same time, we also wanted to show that women aren’t just victims of heartbreak: we’re strong, we make choices, and sometimes we’re the ones who choose ourselves first. The message we hope listeners take away is self-love, empowerment, and knowing your value.”

The track sets the tone for their creative direction: earnest, emotionally resonant, and unapologetically empowering. “These are the stories that we want to tell,” the members add. “We wanted our first song to connect with people emotionally and show that HARA is here to speak for girlhood, growth, and strength.”

HARA’s “My Love” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

From pop-rock icons to drag performers and industry trailblazers, the event champions women onstage and behind the scenes

syd hartha photo courtesy of Sony Music Entertainment; Janine Berdin’s photo care of Universal Music Group

Despite women’s significant contributions to the entertainment industry, they continue to face significant challenges throughout history, from being at the receiving end of discrimination and harmful stereotypes to being overlooked for production roles or leadership positions. Apart from the lack of opportunities, they often experience pay inequity, harassment, and underrepresentation in major industry spaces, overlooking the power they hold as creative forces and culture shifters.

For the upcoming Women’s History Month, GNN celebrates women who have been at the forefront of community building and creative expression, opening new spaces, building opportunities for others, and using their platform to rally for meaningful changes within and outside the system.

“The number of women behind the scenes remains relatively low,” shares Marie Lara Pauline Bobier, GNN’s events director. “While the music community is generally welcoming and respectful toward women, there are still instances in which they are made to feel that they must continually prove their credibility and competence in the field. This celebration is not only about championing female practitioners in music and entertainment, but also about recognizing the female fans and pro-women advocates who actively support the local music scene.”

Enter Lilet Fair, a multi-format festival that features the outstanding and emerging talents in music, art, comedy, improvisation, and drag. The event’s name is derived from the iconic Lilith Fair, an all-female music festival organized by Sarah McLachlan in the ‘90s.

“Lilet Fair is a women-centered music and creative space that amplifies not just performers, but the women working behind the scenes who power the industry,” says Milley Habito, the production head of GNN. “By creating intentional platforms like this, we foster representation, mentorship, and real opportunities, proving that when women are centered, the entire music community thrives.”

Headlining Lilet Fair are some of the most prominent artists in the local music scene, including pop-rock powerhouse Barbie Almalbis, whose introspective songwriting and intricate guitar work influenced generations of Filipino singer-songwriters and bands. Also joining the bill are Clara Benin, syd hartha, Janine Berdin, August Wahh, Coeli, and Shanne Dandan.

Other artists in different disciplines are set to take the center stage, including A II Z, a comedy duo formed through their mutual love for improv comedy and music, and Lady Boses (Jeannie Lacay, Di Aaron and Khaye Asco), a group of all-female stand-up comedians who advocate for women to take up space in comedy, in the workplace, and in everything in general. M1SS Jade So and Inah Demons are set to complete the incredible roster of performers, representing drag.

Apart from show-stopping performances, the event is also packed with activities and booths run by women themselves: Drafts Gift Shop (flowers), FiliFerniana (live art photobooth), Maan Simbajon (tattoo), Putik Friends (ceramics), and more!

For its pre-event programming, GNN will host a panel discussion featuring women who are making significant contributions to the independent music scene behind the scenes: Alex Majam, co-owner of Jess & Pat’s; Bel Certeza, label head at EMI Records Philippines; Katrina Romero, manager of Over October; Kris Rocha, founder and music photographer at Neon Oven; and Ziera De Veyra, head of Funky Beat Entertainment. The discussion is titled She Means Business: Women Paving The Way.

Lilet Fair will take place at 123 Block in Mandaluyong City, on Saturday, March 21, 2026, from 3:00 PM onwards. Tickets are available online at PHP 800 for Early Bird and PHP 900 for Regular Admissions. Get your Early Bird tickets via https://liletfair2026.helixpay.ph/.

The track pairs modern pop ballad with groove-driven polish

Christian Bautista, known as Asia’s Romantic Balladeer, maintains his trademark romantic charm while experimenting with a new musical direction that combines a chic, modern edge with a nostalgic pop radiance.

Bautista confidently embraces the romantic love song template in his latest single under Sony Music Entertainment, “Sa’yo Lamang,” combining its feel-good vibes with elegant production and city pop beats. Imagine the neon lights of Tokyo in the 1980s at dusk, but the reassuring grandeur of the setting feels very Pinoy. That’s the sound of it.

“Sa’yo Lamang captures exactly where I am musically and emotionally: fully committed, joyful, and ready to connect,” shares the award-winning OPM icon. “This year I’m all in. I want listeners to feel uplifted, have fun, and start the year with good energy.”

Produced by Ziv, the track benefits from its intentional marriage of global and local flavors, past and present sounds, and the insistence of not wanting to be easily defined or pinned down. From slick arrangements to meticulous production, Ziv’s instincts for groove—particularly in the drum pattern and basslines—anchor the track’s smooth, vintage edge while allowing Bautista’s vocals to shine and charm their way through the listeners.

Christian Bautista describes his collaboration with Ziv as a game-changing experience. “His attention to detail in sound design and vocal production elevated every element, while his clear vision and collaborative approach pushed us to take creative risks. The process was smooth and professional from start to finish, and his contributions shaped a final mix that truly exceeded our expectations.”

The vibrant personality of “Sa’yo Lamang” seamlessly translates into its upcoming music video, which incorporates smooth retro styling, warm neon tones, and playful choreography. Designed to be a joyful night out, the MV captures intimate singing moments, carefree dancing, and lilting city snapshots that somehow mirror the easygoing vibe of the track. “There’s also a small Easter egg hidden in the karaoke machine: make sure you look for that,” Bautista adds.

The music video is directed by Tristan Ortega and conceptualized in collaboration with the Sony Music Philippines team and Balcony Productions, with creative direction by Rico Blanco.

As Bautista enters a fresh chapter in his career, fans can celebrate the occasion with him live on stage. He will be performing alongside Mark Bautista for a memorable evening featuring beloved classics and brand-new songs. Titled “Bautista x Bautista,” the concert is scheduled for March 6, 2026, at the New Frontier Theater in Cubao, Quezon City, with tickets available at  ticketnet.com.ph.

Bautista is under the management of NYMA Management.

In addition, Christian Bautista’s latest single, “Sa’yo Lamang,” will be released worldwide on Wednesday, February 25, 2026, across all digital streaming platforms through Sony Music Entertainment. The official music video will also premiere that day at 6:00 PM.

The P-Pop trailblazers raise the stakes with a song that channels global ambition and systemic frustration into a rallying cry for change

SB19 ushers in a defining chapter for P-Pop with the launch of “VISA,” their first official single of 2026 and a fearless successor to the Simula At Wakas era. Showcasing a sharper, more assured artistic vision, “VISA” dives into socially charged themes that serve as both an introduction and a declaration—signaling that this new era won’t just captivate audiences, but will also challenge norms, spark dialogue, and disrupt comfort in pursuit of conviction.

[LISTEN TO “VISA” HERE]

Their brand-new song confronts the lived realities of Filipinos striving to shift culture and build a life of security and stability for their families. It channels the frustrations of overseas Filipino workers, athletes, creatives, and professionals, who dedicate their hard work and talent to representing the Philippines, only to be met with systemic barriers that hinder their goal and recognition. Through piercing lyricism that confronts as it wounds, the five-piece powerhouse “calls out the invisible cages that restrict opportunities” on their brand-new track, emphasizing the irony of a people celebrated for their resilience yet burdened by bureaucratic inequities.

“This release will really define SB19’s sound, personality, and the way we present ourselves,” Stell admits. “We have always been known for being vocal, but this time it is even stronger. We are addressing sensitive and current topics that people can relate to, even if not everyone agrees with us. We are ready to face any reaction. This release is very powerful and a strong way to start the year and introduce this new era.”

Inspired in part by real-world events and ongoing conversations around visa denials affecting Filipino talents, SB19’s latest single also serves as a commentary on access and privilege, on the disparity between global contribution and mobility. By centering these themes with a more defined perspective, SB19 transforms personal and collective frustrations into an anthem of awareness, and, to an extent, resistance.

“We were very affected by visa applications during our tour,” Pablo reveals. “SB19 has been active for seven years, and we hope that songs like these can reach officials and encourage laws that make it easier for athletes, artists, and others working overseas to access visas. This could include creative acts, producing content, or receiving rebates for spending related to the arts. This is not just an attempt to produce music, but to push Filipino culture forward. There is little support from the government, so it is important that our work can make an impact not only personally but also on a national level.”

Josh echoes the familiar frustration, sharing parallels with the struggles of athletes who train and work hard to compete abroad and make Filipinos proud. “I have always had this dream during our tour, as someone who represents the Philippines all over the world. I have also seen the struggles of athletes when they represent the country. They give so much for the Philippines, but it often feels like the country does not give back. There needs to be a change.”

Justin chimes in on the ongoing issue while highlighting the intentional messaging of the track. “We are highly skilled and hardworking, and we’ve significantly contributed to raising the morale of Filipinos abroad, as well as impacting the economy in positive ways. But somehow, it often feels like we are at the end of the line.”

Musically, “VISA” mirrors its thematic tension with bold, unconventional production and brass sounds. Conceived from a melody Pablo imagined in one of their brand campaign shoots, the track fuses satire, personal experience, and commentary with sonic experimentation.

Ken shares, “This track is quite unconventional and out of the ordinary. The instruments, especially the melody, aren’t what you’d typically expect. It may sound unusual, but in a refreshing way. The melody leaves a strong impression, and every instrument was carefully selected. From the percussion to the ad-libs and other details, each element is thoughtfully positioned, creating a truly satisfying listening experience.”

SB19’s “VISA” is now available on all digital streaming platforms worldwide through Sony Music Entertainment.

Follow SB19 on their socials:

YouTube: https://www.youtube.com/channel/UCm4v7afBTnJKRm4SlfHJzyg

Facebook: https://www.facebook.com/SB19Official/

X: https://twitter.com/SB19Official

Instagram: https://www.instagram.com/officialsb19

TikTok: https://www.tiktok.com/@officialsb19

The film delves into the realm of power, fame, and survival within the music business

Its official: music-themed drama Songs For Selina will hit cinemas across the Philippines starting March 18, 2026

Previously picked up by Amazon Prime US and Tubi for its North American release last year, the film delivers a harrowing yet grounded portrayal of the music industry’s grim realities. Songs For Selina stars Mica Javier and Rachel Coates as Selina and Maya—musical soulmates whose bond is fractured by the unforgiving and cutthroat nature of the industry they once dreamed of conquering together.

[WATCH THE TRAILER HERE]

“The entire film is deeply personal,” shares Jay R, CEO of Homeworkz Entertainment and the R&B singer behind enduring hits such as Sining and Bakit Pa Ba. “It draws from our own lived experiences, the stories of our peers, and the unspoken truths that quietly exist within the industry. As artists ourselves, we understand the fear of being marginalized or blacklisted for addressing uncomfortable truths, especially in systems where power is unevenly distributed. That vulnerability is precisely why we chose to tell this story through film and music.”

Jay R, who served as one of the film’s executive producers, highlights the importance of independent storytelling in an industry often driven by commercial considerations.

“Major studios and networks are not the only path,” the King of R&B notes. “There is a space for us, and it’s time we collectively step into it—to strengthen, diversify, and elevate the state of our entertainment industry.”

Songs For Selina features an ensemble cast that also includes Rachel Alejandro, Audie Gemora, Nicole Laurel, Leanne Mamonong, Gian Magdangal, and Jay R himself.

Jay R also co-wrote and produced the film’s original motion picture soundtrack, which features solo and duet performances by lead stars Mica Javier and Rachel Coates.

“The tracks were very much inspired by my own career, which made the songwriting process feel natural and intuitive,” reveals Jay R. “Each song was carefully shaped to serve the story—tailoring the lyrics and emotion to the script so that the music actively moves the narrative forward.”

Songs For Selina is brought to you by Homeworkz Entertainment and is distributed in the Philippines by Black Cap Pictures.

Their latest single Duyan, a song about everlasting commitment, welcomes 30 couples into the married life in a ceremony led by Pasig City Mayor Vico Sotto

Duyan closes the Mahiwaga Trilogy, which also includes Pagtingin and Araw-Araw

Today was the most unforgettable Valentine’s Day in the lives of thirty fortunate Pasigueño couples. On this day, they not only formally and legally became husband and wife, but they also had the once-in-a-lifetime opportunity to be serenaded by the best folk-pop group in the nation, Ben&Ben.

The nine-piece band stunned the newlyweds and their guests with a moving performance of their latest single, Duyan, as a special treat for Pasigueño couples who got married today during Pasig City’s annual Kasalang Bayan.

It was a fitting song for the occasion, as it was originally the wedding vow of Ben&Ben frontman Miguel Benjamin, which he and the band decided to share with the world this year. In performing the song for today’s 30 newlywed Pasigueño couples, the band hoped to leave a lasting message of commitment, encouragement, and unconditional love.

“We’re entering a chapter of our lives where we feel like this is all uncharted territory: becoming full-fledged adults, being partners and spouses. Like the millions of people who are in this phase of their lives, there are many challenges. Things are never easy. We also get to discover many things about ourselves that we may not have really known before – our strengths, our weaknesses, and so much more,” Miguel shared.

“Every step that we take is made with unconditional love. That serves as our guide and our anchor in this journey, no matter how imperfect life is. This is the message we would like to impart with our song Duyan,” he added.

The Pasig City government holds the annual Kasalang Bayan for constituents who would like to experience a memorable wedding – including walking down the aisle and having a reception – without having to worry about expenses. The city government covers all expenses related to the event, including reception meals for six guests per couple. The ceremony is officiated by Pasig City Mayor Vico Sotto.

This year’s Kasalang Bayan was made even more special with Ben&Ben’s special performance. Aside from Duyan, the band also performed the other songs in their Mahiwaga Trilogy – Araw-Araw and Pagtingin. The trilogy features the band’s thematic arc on love and romantic relationships, with Duyan as the culminating song.

Actors and real-life couple Gabbi Garcia and Khalil Ramos, who previously starred in the other Mahiwaga Trilogy films, star in the music video for the song.

“Many thanks to Ben and Ben! Ang kinasal tuwang-tuwa. The couples were taken by surprise, which added to the specialness of the day”, said Pasig City Mayor Victor Ma. “Vico” Regis Sotto said.

Duyan by Ben&Ben is currently available on all digital music platforms across the globe through Sony Music Entertainment. Visit the Ben&Ben’s official YouTube channel to view the Duyan music video.

Photo Credit: Dana Trippe

Global superstar Meghan Trainor has delivered the perfect Galentine’s Day anthem, “Get In Girl,” out today via Epic Records. The track is featured on her seventh full-length album, Toy With Me, out April 24.

Whether you were ghosted by your situationship, suffered another failed talking stage, or just need a little pick-me-up, “Get In Girl” is ready to help you rally. On the song, Meghan shares, “This song is for everyone who finally realized they deserve more. Sometimes you just need a song that reminds you that love shouldn’t feel exhausting, and that leaving is okay and might be the most powerful thing you can do.”

Following the release of Toy With Me, Meghan will be bringing the new music on the road for The Get In Girl Tour, produced by Live Nation. The tour kicks off June 2026 and sees Meghan return to iconic venues including Madison Square Garden in NYC and the Kia Forum in Los Angeles. Tickets are on sale now at MeghanTrainor.com. See full routing below.

“Get In Girl” is the second track Meghan has shared off the new album, following the release of “Still Don’t Care” late last year. The song serves as a reminder to stop worrying about judgement from others and celebrate who you are. This was exemplified in the accompanying music video, which saw Meghan freely dancing across iconic Los Angeles landmarks, including The Grove, Rodeo Drive, and even crashing a celebrity sighting shuttle tour.

WATCH THE OFFICIAL VIDEO FOR “STILL DON’T CARE” HERE

Toy With Me Artwork

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